Happy February! I can say this without irony because I live in the southern hemisphere, where it’s like this:
I had a rocky entry into 2019. I had fantasized about all the great new books I’d be able to read once I rejoined the 21st century, but when January 1 rolled around I couldn’t stop reading as if I were living in 1918. The whole idea just freaked me out. It was like reverse culture shock when you return home from overseas, which anyone who’s experienced it can tell you is the worst kind of culture shock. Then there was a transition period when I read “The Waste Land” and other non-contemporary but post-1918 poetry. Now I’ve (mostly) gotten over it and am happily reading Stephen McCauley’s 2018 novel My Ex-Life. In the meantime, I just finished the last 1918 book that I started in 2018 (although I’m still listening to the audiobook of The Education of Henry Adams). As soon as I read the last page, I metaphorically jumped up and said, “I’m ready to go back to blogging!” (Real blogging, not just posting pictures like this.) And I will soon. In the meantime, here are more of the images I’ve posted on Twitter during the hiatus.
During WWI, Americans were warned to “Hooverize,” or conserve food. (The future president was the “Food Czar” and a huge celebrity.) This poster by John Sheridan was one reminder.
For those of you suffering through the cold spell in the U.S., here’s a reminder of spring from The Liberator’s wonderful Hugo Gellert.
Variations on a theme, February 1918: Helen Dryden (Vogue) and Erté (Harper’s Bazar).
The Crisis, the NAACP magazine edited by W.E.B. Du Bois, took on discrimination and lynching and other horrors, but it was black America’s community newspaper too. There was an annual children’s issue, with lots of pictures of cute babies. Here are some from October 1918.*
Another luminous William Edouard Scott painting, on the cover of the December 1918 issue of The Crisis. In his editorial, W.E.B. Du Bois poetically identifies African-Americans’ flight north with Joseph and Mary’s flight to Egypt.
See you soon!
*Surprise surprise: people love cute babies. This was by far my most popular tweet of the week, although not as popular as the constipation ad.
Another example of Helen Dryden’s wonderful versatility! This cover is from 1926: https://witness2fashion.files.wordpress.com/2016/12/500-1926-nov-delin-cover-helen-dryden-illus.jpg
She designed all the covers for Delineator magazine in 1929, (https://witness2fashion.wordpress.com/2016/12/25/wishing-you-serenity-with-an-illustration-by-helen-dryden/ ) and some completely different, abstract ads for Alberfoyle fabrics in 1928. (https://thevintagetraveler.wordpress.com/2016/04/21/ad-campaign-aberfoyle-fabrics-1928/ ) Combined with her Vogue covers, we can get some idea of how versatile (and in tune with the times) Dryden was. She also designed interiors for Studebaker cars! ( https://www.hemmings.com/blog/index.php/2016/02/17/helen-dryden-fashion-illustration-and-automobile-hardware-design/ )
Thanks so much, this is fascinating background on Dryden. I had no idea that she did Delineator covers, or that she designed car interiors. Definitely someone I want to know more about, and maybe write about.
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