Tag Archives: Annie Carroll Moore

Crop from Helen Nyce, Visit to St. Nicholas, children and Christmas tree

Children’s Books: Your 1920 Holiday Shopping Guide

It’s that time of year again! The holiday roundup of children’s books is one of my favorite My Life 100 Years Ago traditions, if you can call something you’ve only done once before a tradition. (The year before last, I did a just plain holiday shopping guide.)

Illustration from children's books article, Publishers Weekly, November 6, 1920.

Publishers Weekly, November 6, 1920

Once again, I had a lot of help. Pioneering children’s librarian Annie Carroll Moore is on hand with a guide to fall books in the November 1920 issue of The Bookman,* and Margaret Ashmun has an article on Christmas books for the young and old in the December issue. Publisher’s Weekly has an expansive holiday roundup, and Literary Digest weighs in with fifty gift suggestions for children. The New York Times has an engagingly written writeup by Hildegarde Hawthorne, granddaughter of Nathaniel. (There’s also a Times article with the seemingly promising title of “Christmas in Bookland,” in which Coningsby Dawson blathers on for two pages about the wonders of motherhood and manages to only mention one book, An Outline of History by H.G. Wells.)

For the Very Young

I had an easier time finding books for very young children than I did last year, mostly thanks to Hawthorne. As far as I can tell, though, books with illustrations on every page were still unheard of.

Cover of Cinderella, illustrated by Margaret Evans Price, Cinderella with coach.

Cinderella, or The Little Glass Slipper, illustrated by future Fisher-Price co-founder Margaret Evans Price, has just seven illustrations in the 40-page text, plus some more at the beginning and end. Still, they’re charming,

Margaret Evans Price illustration from Cinderella, Cinderella doing chores.

Margaret Evans Price illustration from Cinderella, Cinderella running away from ball.

and Cinderella is going on my list.

Cover of The Night Before Christmas, illustrated by Nyce, 1920, Santa with toys.

The Night Before Christmas presents Clement C. Moore’s classic 1823 poem (actual title: “A Visit from St. Nicholas”) with illustrations by Helene Nyce.

Nyce illustration, The Night Before Christmas, 1920, children dancing in front of fire.

That’s a crop from one of Nyce’s illustrations at the top of the post.

Fantasy and Fairy Tales

Cover, Tales of Wonder and Magic, Katharine Pyle, 1920.

Tales of Wonder and Magic, a collection of fairy tales from around the world written and illustrated by Katharine Pyle, also turned out not to have many illustrations, which disappointed me at first, until I came across this one,

Tales of Wonder and Magic, Katharine Pyle, 1920, prince beating princess.

which made me wish it had fewer.

Cover, Treasure of the Isle of Mist, W.W. Tarn.

Hathitrust

Annie Carroll Moore calls The Treasure of the Isle of Mist, by the Scottish writer W.W. Tarn, “an exquisite fantasy of youth and autumn.” If your kid is transfixed by sentences like this, by all means add it to your holiday list:

Up through the calm water, to meet the eye of the gazer, came the green clearness of stone, and blinks of unveined sand showing white between the brown tangled blades of the great oar-weed; and you might see a school of little cuddies, heads all one way, playing hide and seek in the sea forest, and caring no whit for the clumsy armored crab beneath them, who crawled sideways, a laborious patch of color in the shimmering transparency. 

Cover, Fairies and Chimneys, by Rose Fyleman.

Rose Fyleman’s poetry collection Fairies and Chimneys is, in Moore’s opinion, “just the book to take up after leaving Fiona and The Student” (of The Treasure of the Isle of Mist). Since she presumably doesn’t mean after flinging the book aside in disgust, I had low hopes.

I was charmed by the poems, though. They’re told in the voice of a little girl who’s a staunch believer in fairies, who keep popping up in the midst of everyday life—on a bus on Oxford Street, for example.

Here’s one of my favorites, called “Wishes”:

I wish I liked rice pudding,
I wish I were a twin,
I wish some day a real live fairy
Would just come walking in.

I wish when I’m at table
My feet would touch the floor,
I wish our pipes would burst next winter,
Just like they did next door.

I wish that I could whistle
Real proper grown-up tunes,
I wish they’d let me sweep the chimneys
On rainy afternoons.

I’ve got such heaps of wishes,
I’ve only said a few;
I wish that I could wake some morning
And find they’d all come true!

My wish: that Fairies and Chimneys had more illustrations. There’s only one, this frontispiece,

Frontispiece, Fairies and Chimneys by Rose Fylman, two girls separated by fence.

plus this artwork on the inside cover.**

Lining pages, Fairies and Chimneys.

Still, pictures or not, this is going on my list.

Cover, Grimm's Fairy Tales, Abbott, 1920.

On to Grimm’s Fairy Tales, illustrated “delightfully this time,” according to Ashmun, by Elenore Abbott. I checked it out and found actual delightfulness—and no violent illustrations!***

Illustration by Elenore Abbot from Grimm's Fairy Tales

Illustration from Grimm's Fairy Tales by Elenore Abbott, woman in veil with long braids.

Illustration from Grimm's Fairy Tales by Elenore Abbott, women at party.

Illustration by Elenore Abbott, Grimm's Fairy Tales, 1920, woman with swans.

On the list. I’m on a roll!

The Jewish Fairy book, 1920, cover.

I had just about given up on including any kind of diversity in this roundup when I came upon The Jewish Fairy Book in Hawthorne’s Times article. This collection of traditional Jewish stories by Gerald Friedlander, with illustrations by George W. Hood,

Illustration from The Jewish Fairy Book, flying carpet.

Illustration from The Jewish Fairy Book, palace.

Illustration from The Jewish Fairy Book, girl and fairy on terrace.

Illustration from The Jewish Fairy Book, man walking out of cave.

would make a perfect (if belated) Hanukkah gift.

For Middle-Grade and Older Readers

Dr. Dolittle title page and frontispiece, 1920.

Annie Carroll Moore calls Hugh Lofting’s The Story of Dr. Dolittle “the most delightful nonsense story of the year,” and it’s the one undisputed children’s classic of 1920. I was going to buy a copy and (re)read it myself, but I bought one of the sequels by mistake and had to return it. This is just as well, because it turns out that modern editions have all the racism taken out, and I would potentially have ended up recommending a book where a Black prince tells this tale of woe:

Excerpt from The Story of Dr. Dolittle, racist passage.

The prince asks Dr. Dolittle to turn his skin white. Dr. D. works his magic, and lo and behold

all the animals cried out in surprise. For the Prince’s face had turned as white as snow, and his eyes, which had been mud-colored, were a manly gray!

Thanks to the blog Leaves & Pages for setting me straight.

L'Alsace Heureuse cover, Hansi, 1919.

Moore has high praise as well for L’Alsace Heureuse, by Hansi (real name Jean-Jacques Waltz), a French writer of Alsatian descent. “What a happy Alsace is pictured here,” she says. “No book yet written about the war will give children the interest of the pleasure of these pictures.” The pictures I found online were indeed charming,

L'Alsace Heureuse, Hansi, 1919, three Alsace women.

but given that “happy” isn’t usually the first word that early 20th century Alsace brings to mind, I had my doubts. I couldn’t find a complete copy of L’Alsace Heureuse, but the grim pictures I came across in Hansi’s 1916 children’s book L’Histoire d’Alsace leave me inclined to approach this one with caution. Plus, I see no evidence that L’Alsace Heureuse was translated into English at the time.

The Story of Our Country title page and frontispiece.

“E. Boyd Smith has written and illustrated ‘The Story of Our Country,’” is the totality of what Moore has to say about this book. I pulled it up on Hathitrust, typed “Negro” in the search bar, and found this:

Text from The Story of Our Country by E. Boyd Smith claiming Negro leaders favor segregation.

Next!

Title page and Frontispiece, Argonauts of Faith by Basil Matthews.

The 300th anniversary of the founding of Plymouth colony was celebrated a lot more enthusiastically than this year’s 400th, and there was no shortage of books about the Pilgrims. Moore’s favorite is The Argonauts of Faith, by Basil Matthews. Flipping through the illustrations, I found this one. “Would they scalp him? Would they torture him by fire?” the caption asks.

Argonauts of Faith illustration, white boy cowering from Indian.

They didn’t—they treated him kindly and he dined out on stories of his time with the Indians for the rest of his days—but I decided to give the Argonauts a pass anyway.

Sometimes, as with this reissue of H.E. Marshall’s An Empire Story, you don’t even need to go beyond the title page.

An Empire Story title page and frontispiece.

Illustrator N.C. Wyeth (father of Andrew) had a busy year,**** with new editions of Charles Kingsley’s Westward Ho!,

N.C. Wyeth illustration from Westward Ho!, bare-chested woman with dead man on her lap.

Daniel Dafoe’s Robinson Crusoe,

N.C. Wyeth illustration from Robinson Crusoe, Crusoe shooting murtherers.

and Henry Wadsworth Longfellow’s The Courtship of Miles Standish.

N.C. Wyeth illustration from The Courtship of Miles Standish, man stabbing Indian.

No, no, and no. (And in case you think I’m being a prude, it’s not the woman’s bare chest I object to, it’s the—I checked the text—dead guy on her lap.)

Cover of Some British Ballads.

Of Some British Ballads, a volume of Child ballads with pictures by Arthur Rackham, Ashmun says, “The fortunate recipient will find herself saying over and over, ‘Binnorie, oh, Binnorie!’”

If you say so, Margaret. MY prediction is that the recipient will take a quick look at the text, see that it’s in old-timey English,

Text from Yonge Andrew, Some British Ballads.

come upon this illustration from “Yonge Andrew,”

Arthur Rackham illustration of Yonge Andrew, from Some British Ballads, man with naked woman.

and stick the book into the back of his closet for further perusing.*****

Cover, Ancient Man, by Hendrik Willem Van Loon, pyramids on yellow background.

Every once in a while, I come across something from a hundred years ago that gives me a shock of recognition, seeming to come from a much later time. That’s how I felt when I saw the illustrations from Ancient Man by Dutch-American writer Hendrik Willem Van Loon.****** “Broad smears of color that tell a clear story none the less,” is how Hawthorne puts it, unknowingly summarizing the future of children’s illustration.

Ancient Man, by Hendrik Willem Van Loon, man under tree.

Ancient Man by Hendrik Willem Van Loon, 1920, pyramids on yellow background.

Ancient Man by Hendrik Willem van Loon, 1920, red towers of Nineveh.

Ancient Man by Hendrik Willem Van Loon, man looking at horizon.

Ancient Man by Hendrik Willem Van Loon, 1920, Phoenician ship.

Ca. 1920 history is fraught with peril, though, so I downloaded the text onto my Kindle. I’m about halfway through. Some of it, like a description of African people’s woolly hair and thick lips and references to prehistoric man “and his wife,” doesn’t pass the modern sensibility test. Biblical stories are presented as literal history, and non-Western civilizations like China and Asia are completely disregarded. With these caveats, though, I’d recommend it, especially if you (like me) are hazy on who exactly the Phoenecians were.

For Young Adults

Older teens are always hard to shop for, and this year is no exception.

Story of Opal cover, 1920.

Moore, who has a habit of throwing adult books into the children’s roundup mix, has good things to say about The Story of Opal, a memoir by Opal Whiteley that was originally serialized in The Atlantic. Opal’s mom drowns on page 2 while she and Opal are boating.

Text from The Story of Opal, by Opal Whiteley

Her father dies in the next paragraph. He’s not at the logging camp with Opal and her mom at the time, which stands to reason seeing as he’s Henry, Prince of Orleans, or so Whiteley claimed (although she doesn’t mention him by name in this book as far as I can tell). I’m having just a TINY bit of trouble buying this.

Cover, The Good Cheer Book.

Ashmun says that The Good Cheer Book, compiled by Blanche E. Herbert, “will no doubt be a popular gift at Christmas.” Like everyone else, I could use some good cheer these days, so I opened it eagerly. Do you feel down in the dumps, John Edgar Park asks us in the opening essay. Well, yes, John, sometimes!

Here’s his advice:

Text of The Diagnosis, from The Good Cheer Book.

If the print’s too small for you, here’s a summary: “It’s all your fault! Suck it up!”

Cover of The Little House by Coningsby Dawson, 1920.

The Little House, Ashmun promises us, has “a real Christmas flavor.” It’s by, uh-oh, Coningsby Dawson, he of the bookless New York Times essay, and it’s told from the point of view of the house. “To have been responsible for the happy ending is pretty nearly as clever as to have made the story up out of one’s own head or, as we houses say, out of one’s own walls,” the house says.

That was this last straw. I decided to cast the critics aside and do my own search for a gift for the older teen.

Dust jacket, This Side of Paradise, first edition.

I’m reading F. Scott Fitzgerald’s This Side of Paradise at the moment, for the third or fourth time. Each time I get something different out of it. When I was starting grad school at Princeton, what I loved was Fitzgerald’s swoony take on the place. “I think of Princeton as being lazy and good-looking and aristocratic—you know, like a spring day,” says semi-autobiographical hero Amory Blaine.

This time what I love is Fitzgerald’s unsparing take on the self-invention of his protagonist, who progresses from one stage of cringe-inducing idiocy to another over the course of his young life, from this early-teen love poem

Poem from This Side of Paradise, 1920.

to his first-day-of-college posturing (“he tried conscientiously to look both pleasantly blasé and casually critical, which was as near as he could analyze the prevalent facial expression”), to, if memory serves (I’m only up to the Princeton part), a fatuous romance and a freak-out about sex.******* It’s easy to for older people to lampoon the pretensions of the young, but not so easy when you’re in your early twenties yourself, as Fitzgerald was.  

In a previous post, I quoted critic John Walcott, who said in a 1917 Bookman essay that young people turn away from books that skewer their peers, like Mary Roberts Rinehart’s Bab: A Sub-Deb and Booth Tarkington’s Seventeen.  They take themselves with deadly seriousness, Walcott says, and don’t relish being spoofed. But, as I’ve written before, Fitzgerald, for all the fun he pokes at his characters, doesn’t just send them up; he loves them too. That’s what I appreciate most about him now, and that’s why I don’t think our young friend will turn him aside.

For Children of All Ages

The Brownies' Book, December 1920, black Santa on roof.

Library of Congress

What if your children aren’t white? Or what if they are, and you want to show them that the real world is more diverse than the one portrayed in the children’s books of 1920? Bookwise, there’s almost nothing out there, other than Hazel, which I wrote about last year. But there’s one wonderful gift you can give them: The Brownies’ Book, a magazine by the publishers of The Crisis for African-American children, or rather, as they put it, “designed for all children, but especially for ours.” This is, sadly, your last chance; December 1921 marked the end of the magazine’s two-year run.

The 1920 Children’s Holiday Book List********

Cinderella, illustrated by Margaret Evans Price

Cover of Cinderella, illustrated by Margaret Evans Price, Cinderella with coach.

Fairies and Chimneys, by Rose Fyleman

Cover, Fairies and Chimneys, by Rose Fyleman.

Grimm’s Fairy Tales, illustrated by Elenore Abbott

Cover, Grimm's Fairy Tales, Abbott, 1920.

The Jewish Fairy Book, by Gerald Friedlander, illustrated by George W. Hood

The Jewish Fairy book, 1920, cover.

Ancient Man, by Willem van Loon

Cover, Ancient Man, by Hendrik Willem Van Loon, pyramids on yellow background.

This Side of Paradise, by F. Scott Fitzgerald

Dust jacket, This Side of Paradise, first edition.

The Brownies’ Book

The Brownies' Book, December 1920, black Santa on roof.

Happy holidays, everyone, and happy reading!

squiggle

*I’m also reading, and loving, Roads to Childhood, a 1920 collection of Moore’s columns.

**These pages are, I learned in the New York Times roundup, called lining pages. Elaborate lining pages were, apparently, all the rage in 1920.

Lining pages, The Story of Our Country.

The Story of Our Country

Argonauts of Faith lining pages.

Argonauts of Faith

Lining papers from Westward Ho!, illustrated by N.C. Wyeth.

Westward Ho!

***Granted, I got 125 hits when I searched for “killed.” But you can’t have Grimm without the grim.

****He was also busy illustrating the advertising campaign about pancake-making enslaved person Aunt Jemima.

Aunt Jemima saves colonel's moustache, October 1920.

Ladies’ Home Journal, October 1920

*****Just as well that the young reader is likely to give “Yonge Andrew” a pass. It’s about a guy who seduces a young woman, tricks her into giving him her father’s gold and all her clothes, and sends her back to her father, who, seeing that she’s naked, locks her outside, where she dies. Or something along those lines—my old-timey English is a tad rusty.

******Van Loon would go on to win the first Newbery Award for his 1921 book The Story of Mankind, which incorporates much of Ancient Man.

Cover, The Story of Mankind, Van Loon, 1921.

*******“Did they actually do it?” my young self wondered. But my young self wondered that about a lot of people, including Madame Bovary, so is not necessarily the best guide in these matters.

********With the caveat that any book given to an ACTUAL CHILD should be given a more thorough read than I’ve given these.

squiggle

New on the (non-holiday) Book List:

Ten Days That Shook the World, by John Reed

Children’s Books: Your 1919 Holiday Shopping Guide

Happy holidays, everyone! This year’s Holiday Shopping Guide is devoted to books, because who doesn’t love a book? Well, lots of people, but, when I looked for gift ideas in the December 1919 issue of Vanity Fair, this monogrammed humidor ($30.00)

Humidor, Vanity Fair, December 1919.

and this kit bag ($118.50)    

Kit bag, Vanity Fair, December 1919.

and this vicuna bath robe ($70.75),

Vicuna bathrobe, Vanity Fair, December 1919.

to say nothing of this solid platinum opera watch with gold hands and numerals ($800.00, plus $96.00 for the chain),

Platinum watch and chain, Vanity Fair, December 1919.

all cost more than the average weekly wage  of $25.61. I’m feeling more egalitarian than that this season, so books it is.

My original plan was to review books for all ages, but the children’s books ended up taking up a whole post. I have the books for grown-ups all picked out and will try to write about them as well, but I’ve learned not to commit myself to future posts because they hardly ever happen. (UPDATE 12/13/2020: This one didn’t either.) 

Banner, Bookman, From the Child's Holiday Books of 1919, November 1919.

I had a lot of help with this gift guide. New York chief children’s librarian Annie Carroll Moore, whom I wrote about earlier this year, has a holiday book roundup in the November issue of The Bookman. Boston chief children’s librarian Alice Jordan* has recommendations in House Beautiful, and Elementary School Journal and Literary Digest chime in as well. Library Journal, taking its sweet time about it, published the results of a vote among children’s librarians on the best children’s books of 1919 in its December 1920 issue.

Books With Color Illustrations

Children’s picture books as we think of them today, with a color illustration on every page, didn’t exist in 1919. Even books for very young children consisted mostly of text, with occasional line illustrations and a few color plates. If my own experience of reading to children is any guide, small children of a hundred years ago would push the pages impatiently to get to the pictures, leaving the adult reader to come up with a highly abridged version of the story on the fly. So the pictures are the key.

Cover, The Firelight Fairy Book, Henry Beston, illustrated by Maurice Day, 1919.

Moore was so entranced by The Firelight Fairy Book by Henry Beston, with illustrations by Maurice Day, that she went to Boston to meet Beston. He turned out to be a World War I veteran who started writing one of the tales, “The City Under the Sea,” IN A SUBMARINE IN ACTIVE PURSUIT OF GERMAN SUBMARINES, which is a great story, if not exemplary military tradecraft.

Maurice Day illustration, boy and girl with dragon, The Firelight Fairy Book.

Maurice Day, The Firelight Fairy Book

Illustration by Maurice Day, boy and old man, The Firelight Fairy Book.

Maurice Day, The Firelight Fairy Book

Moore wasn’t as big a fan of Day’s illustrations in a new edition of Horace E. Scudder’s Fables and Folk Stories—“his animals might be stronger”—but I was quite taken with this one:

Fables and Folk Stories, illustration by Maurice Day.

Maurice Day, Fables and Folk Stories

Some other illustrated books Moore discusses with varying levels of enthusiasm:

Czechoslovak Fairy Tales by Parker Fillmore, with illustrations by Jan Matulka,

Illustration by Jan Matulka for Czechoslovak Fairy Tales

The Last of the Mohicans by James Fenimore Cooper, with new illustrations by N.C. Wyeth,

Illustration by N.C. Wyeth, The Last of the Mohicans

At the Back of the North Wind by George MacDonald, with new illustrations by Jessie Willcox Smith,**

Illustration by Jessie Willcox Smith from At the Back of the North Wind.

a new edition of The Water Babies by Charles Kingsley, also illustrated by Jessie Willcox Smith,

Illustration by Jessie Willcox Smith from The Water Babies.

Saint Joan of Arc by Mark Twain, with new illustrations by Harold Pyle,

Illustration by Harold Pyle, Saint Joan of Arc by Mark Twain.

and Mother Goose Nursery Rhymes, with illustrations by Boyd Smith.

Illustration by Boyd Smith, Mother Goose Nursery Rhymes.

Caveat emptor on this last one. As I was perusing Smith’s illustrations, finding them quite charming, I came across this one,

Man shooting duck, illustration by Boyd Smith, Mother Goose Nursery Rhymes.

which turns out to illustrate this poem,

There Was a Little Man from Mother Goose Nursery Rhymes, text.

which I don’t recall my mother ever reciting as she lulled me to sleep.

Cover, The Burgess Bird Book.

I imagined Thornton Burgess’s The Burgess Bird Book for Children as a reference for budding Audubons. It turned out to be full of twee tales, such as one in which Jenny Wren meets up with Peter Rabbit, who was Beatrix Potter’s intellectual property, right? The pictures by the Dutch-Puerto Rican artist Louis Agassiz Fuertes*** are wonderful, though.

Illustration by Louis Agassiz Fuertes from The Burgess Bird Book for Children.

Illustration by Louis Agassiz Fuertes from The Burgess Bird Book for Children.

Alice Jordan had good things to say about A Chinese Wonder Book by Norman Hinsdale Pitman, illustrated by Li Chu-T’ ang. I was intrigued, especially because Jordan said that Li was Chinese. I loved the illustrations,

Illustration by Li Chu-T' ang, A Chinese Wonder Book.

Illustration by Li Chu-T' ang, A Chinese Wonder Book.

Illustration by Li Chu-T' ang, A Chinese Wonder Book.

but I wondered whether Pitman was one of those people who make up stories and claim they’re foreign folk tales. He turned out, though, to be an American professor who spent many years teaching in China and won several awards from the Chinese government, so presumably he knew what he was talking about.

This is as multicultural as children’s books get in 1919, so I was inclined to declare it my #1 recommendation in this category. To make sure I wasn’t leading you astray, I read one of the tales, “Lu-San, Daughter of Heaven.”

Illustration by Li Chu-T' ang, A Chinese Wonder Book.

What young person wouldn’t relate to the story of a girl whose parents don’t appreciate her (that’s putting it mildly—they’re always trying to sell Lu-San into slavery or kill her) but end up having to kiss her feet and watch as she ascends to heaven on a golden throne? I liked the girl-power theme (Lu-San’s brothers are treated like kings) and the realistic way her parents respond after Lu-San is transformed into a radiant princess and their dingy houseboat into a majestic ship:

At first they did not know how to live as Lu-san had directed. The father sometimes lost his temper and the mother spoke spiteful words; but as they grew in wisdom and courage they soon began to see that only love must rule.

So it’s official: A Chinese Wonder Book is my #1 recommendation.

For Middle-Grade Readers

There is a lot of blurring between these categories; many of the books mentioned above are appropriate for middle-grade readers as well. Here are some selections specifically for this age group.

Or not. Sometimes Moore just makes me scratch my head.

For example, what is Susan Hale’s Nonsense Book doing in a children’s book roundup? That the handwritten limericks are illegible is the best thing that can be said about them.**** Would you read this tale of death by jumping out a window

Illustrated limerick from Nonsense Book by Susan Hale.

or this one of suicide by exposure

Illustrated limerick from Nonsense Tales by Susan Hale.

to your favorite nephew?

Cover, John Martin's Annual, 1917.

Moore pans John Martin’s Big Book for Little Folks, No. 3. I couldn’t find it, but I did find the 1917 volume. It starts out with this poem,

Dedication to a Little Friend from John Martin's Annual, 1917.

which reminds me of the fairy tales that simpering old ladies inflict on the kids in the Edward Eager books (now THERE are some great books for middle-grade readers).

Next up is the world’s least challenging riddle.

Riddle from John Martin Annual, 1917. Answer is rabbits and there are pictures of rabbits.

So I’m on board with Carroll even before she quotes from Martin’s story about Thoreau:

He was so kind! and he was a busy man too. He built his own house. He had a garden. He made lead pencils. He wrote books. Most likely we never did know a busy man who was more kind than he was to everybody—animals and all—children and all. No wonder he became a very famous man.

As we will see below, kindness to animals and fame do not always go hand in hand.

Cover of What Happened to Inger Johanne by Dikken Zwilgmeyer.

Moore describes What Happened to Inger Johanne, a translation of an 1890 book by the Norwegian writer Dikken Zwilgmeyer (UPDATE 12/22/2019: who turns out to be a woman, real name Barbara Hendrikke Wind Daae Zwilgmeyer),  

Cover of Inger Johanne Bokene by Dikken Zwilgmeyer.

as “alive from beginning to end.” It’s a miracle that Inger herself is alive from beginning to end. In the illustrations by Florence Liley Young, she and her friends fall out of a boat,

Illustration by Florence Liley Young from What Happened to Inger Johanne.

get stuck in a barn window when the ladder breaks,

Illustration by Florence Liley Young from What Happened to Inger Johanne.

smash a window with a book,

Illustration by Florence Liley Young from What Happened to Inger Johanne.

and get lost in the woods.

Illustration by Florence Liley Young from What Happened to Inger Johanne.

The chapter on Christmas mumming is less harrowing. My favorite part is where the children speak P-speech, which turns out to be a Norwegian version of Pig Latin. It goes (in the English translation) like this: “Can-pan you-pou talk-palk it-pit?”

A “child of ten”—who I assume is our old friend Edouard from last year’s holiday roundup—says that Inger sounds more like Tom Sawyer than anyone else. I trust Edouard’s judgment, and a girl Tom Sawyer is just the thing. So What Happened to Inger Johanne is my #1 recommendation for middle-school readers.*****

For Older Children

Theodore Roosevelt and sons, from Theodore Roosevelt's Letters to his Children, 1919.

Frontispiece, Theodore Roosevelt’s Letters to His Children

 The children’s book of the season is Theodore Roosevelt’s Letters to his Children. It’s the only unanimous choice on the librarians’ list, and it did sound promising: whatever you think of Roosevelt, he had (according to my childhood reading, anyway) some of the most fun presidential children in history. I was merrily scrolling to get to a letter about Christmas in the White House when I was stopped in my tracks by the words “kill” and “stabbed.” They turned out to be from a 1901 letter to Roosevelt’s twelve-year-old son Theodore III, titled “A Cougar and Lynx Hunt.”  

Theodore Roosevelt with hunting party, Colorado, 1905.

Theodore Roosevelt hunting in Colorado, 1905 (Denver Library Digital Collections)

Theodore (père) is out hunting with his friend Phil in Colorado when their dogs run up a tree after a cougar. Theodore has a clear shot at it, but Phil is taking a picture. The cougar jumps out of the tree, the dogs chase it and get into a big fight, and the cougar

bit or clawed four of them, and for fear that he might kill them I ran in and stabbed him behind the shoulder, thrusting the knife you loaned me right into his heart. I have always wanted to kill a cougar as I did this one, with dogs and the knife.

Banner, Reviews of New Books, Some of the Seasons Best Juvenile Books

After that, I just wasn’t feeling the Christmas in the White House spirit. I decided to move on to Literary Digest and “Some of the Seasons [sic] Best Juvenile Books.”

Title page and frontispiece of Full-Back Foster by Ralph Henry Barbour.

Full-Back Foster by Ralph Henry Barbour: “Describes how a ‘sissy’ is turned into a most serviceable full-back.”

Pass!

Cover, The Boys' Airplane Book, A. Frederick Collins.

The Boys’ Airplane Book by A. Frederick Collins. “It…behooves all ambitious boys to know the mechanism of the airplane, and to be able to construct one which not only will fly but will carry a human passenger….One feels that it would be impossible to go astray under such guidance.”

One would just as soon not test this theory. Pass!

Cover, Uncle Sam: Fighter, William Atherton DuPuy.

Uncle Sam: Fighter by William Atherton DuPuy. “Describes graphically how we prepared our draft army in the recent war, and how we mobilized our energies efficiently for the most expeditious service to ourselves and our allies. Navy purchases, railroad administration, the minimizing of waste…”

Yawn! And all lies—the U.S. war mobilization was totally inept. Pass!

Title Page, Daddy Pat of the Marines, Lt. Col. Frank E. Evans.

Daddy Pat of the Marines by Lieut. Col Frank E. Evans (U.S.M.C.) “Even the six-year-olds must have their war books.”

Begins thus:

Text from Daddy Pat of the Marines referring to "the old Kaiser and his long-legged rat face son."

 Pass!

Illustration, Rosemary Greenaway.

Rosemary Greenaway by Joslyn Gray. “The sentimental spirit which pervades this story will be liked by a certain type of girl reader.”

Pass!

Cover, The Heart of Pinocchio, Collodi Nipote.

The Heart of Pinocchio by Collodi Nipote. The author of the original Pinocchio “is dead, but fortunately another member of the Lorenzini family has skillfully introduced Pinocchio into a story of war.”

Pass!

Cover, Joan of Arc, Laura E. Richards.

Joan of Arc by Laura E. Richards. “She has entered more thoroughly into the historical aspects of her heroine than most writers for girls and boys; her sources are carefully noted throughout.”

I’ll stick with Mark Twain. Pass!

These are the best juvenile books? I’d hate to see the worst.

Cover of Hans Brinker or the Silver Skates, illustrated by Maginel Wright Enright.

Then I checked out a new edition of Mary Mapes Dodge’s 1865 children’s classic Hans Brinker, or, The Silver Skates, described by Elementary School Journal as a “beautiful gift ed.”

I had thought of Hans Brinker as a middle-grade book. The story turns out to be more harrowing than I imagined, though, with an amnesiac father and a doctor with a dead wife and a missing son. There’s also a scene in which someone draws a knife across a robber’s throat and threatens to kill him. Weary of violence by now, I almost disqualified it. But it has ice skating! And wooden shoes! And the Festival of Saint Nicholas, during which Dutch children become “half wild with joy and expectation”! And tulips! (A footnote about tulip mania quotes from Extraordinary Popular Delusions and the Madness of Crowds.****** You can’t accuse Dodge of talking down to children.)

Not to mention the wonderful new illustrations by Maginel Wright Enright, who turns out to be the sister of Frank Lloyd Wright and the mother of children’s writer Elizabeth Enright, author of Gone-Away Lake and The Four-Story Mistake.

Maginel Wright Enright illustration, Hans Brinker, people skating on canal.

Maginel Wright Enright illustration, Hans Brinker, people around table.

Maginel Wright Enright illustration, Hans Brinker, people standing next to house.

So, finally, a book to recommend to older readers!

Not all children are alike, though. What to give to the kind of child (often a boy) who would open a book, even one as amazing as Hans Brinker, with a wan thank you and a sigh?

Cover, American Boys' Book of Signs, Signals and Symbols, by Daniel Beard.

Well, you (and he) are in luck! There’s American Boys’ Book of Signs, Signals and Symbols, by Daniel Carter “Uncle Dan” Beard, a founding figure in American Boy Scouting.******* According to Elementary School Reader, it

explains simply all kinds of signs including danger signs, trail signs, signs of the elements, secret writing, gesture signals, deaf and dumb alphabet, signal codes, railway signals, hobo and Indian signs, and Boy Scout signs and signals.

This book is guaranteed to have your child running outside as soon as the presents are opened to set trail signs and communicate with his friends in steamer toot talk.

Signs from American Boys' Book of Signs, Signals, and Symbols.

Automobile signs from American Boys' Book of Signs, Signals, and Symbols.

Illustration from American Boys' Book of Signs, Signals, and Symbols.

(Be forewarned that the book includes swastika-like symbols and hobo signs to note the presence of “white, yellow, red, and black men,” along with some discussion of American Indians that, while intended to be respectful, wouldn’t pass muster today.)

So that’s it—a gift for every kid on our list.

Oh, wait! What about that dreamy teenaged girl who’s longing for a good book to curl up with while her siblings are outside drawing hobo signs?

Henri Matisse, Young Woman in the Garden, 1919.

Henri Matisse, Young Woman in the Garden, 1919

Betty Bell by Fannie Kilbourne sounded promising at first. Moore describes it as “a very readable, thoroughly sophisticated, and well written analysis of a cross-section of Betty Bell at sixteen.” She warns, however, that “we do not recommend the book for children’s reading. In the libraries its title would immediately attract girls from ten to twelve whose mothers would object to it.”

Naturally I immediately downloaded it and started skimming to find the objectionable parts. The book is indeed an exceptionally accurate description of what goes on in an adolescent girl’s brain, but I was soon reminded that inside an adolescent girl’s brain is not a place anyone except the owner of that particular brain would want to spend much time.

Page from Betty Bell by Frances Kilbourne, with "kiss" highlighted eight times.

Our dreamy young woman would think Betty was an idiot.********

Frontispiece of The Pool of Stars, illustration by Edward C. Caswell.

Frontispiece of The Pool of Stars, Edward C. Caswell

There was a lot of buzz around The Pool of Stars by Cornelia Meigs, which Moore calls “a very well-written story.” I remembered Meigs from those lists of Newbery Award winners they were always inflicting on us in elementary school,********* so I spent an hour reading it on my Kindle.

Betsey, our heroine, is agonizing as the book begins about whether to go to college next year or go to Bermuda with her rich aunt, which would (for reasons that are not explained) permanently put the kibosh on college. Studying is so EXHAUSTING, Betsey keeps thinking. All those geometrical shapes and Barbary pirates! I’d rather go to the beach!

I’m starting to suspect that Betsey is not a true intellectual.

She does decide to go to college, though, and spends the rest of the book pondering the mystery of why a young woman living nearby always looks so sad. I. DO. NOT. CARE., I kept saying, before finally giving up.

Cover of Rainbow Valley, Anne of Green Gables No. 7, L.M. Montgomery.

There’s also Rainbow Valley, the fifth volume in L.M. Montgomery’s Anne of Green Gables series. (Now it’s considered the seventh, but two volumes covering earlier parts of Anne’s life were published in the 1930s.) It didn’t appear on any of the best-of-1919 lists, maybe because it was published late in the year, but, hey, it’s Anne of Green Gables, right?

Except that Anne has, in the two years since Anne’s House of Dreams was published, somehow been transformed from a newlywed (and, by the end of the book, mother of two) to a mother of six who spends all her time thinking about the problems of the town’s new minister.**********

Note to children’s authors: happy newlyweds are one thing, but mothers of six are (to young girls) just squalid.

So what to give to our dreamy girl? In desperation I turned to H.L. Mencken, even though I knew perfectly well that books for girls are not his thing.

And there, miraculously, it was, in a November 1919 Smart Set article called “Novels for Indian Summer.”

Cover of Smart Set, November 1919.

The best of them, and by long odds, is “The Moon and Sixpence” by W. Somerset Maugham,

Mencken begins.

It has good design; it moves and breathes; it has a fine manner; it is packed with artful and effective phrases. But better than all this, it is a book which tackles head-on one of the hardest problems that the practical novelist ever has to deal with, and which solves it in a way that is both sure-handed and brilliant. This is the problem of putting a man of genius into a story in such fashion that he will seem real—in such fashion that the miracle of him will not blow up the plausibility of him.

The Moon and Sixpence is the story of Charles Strickland, a middle-aged British stockbroker who abandons his family and goes to Paris and then to Tahiti to pursue his dream of becoming a great artist. He succeeds (the story is based loosely on the life of Paul Gaugin), but at a tremendous cost to those around him, and, ultimately, himself.

Sacred Spring, Paul Gauguin, 1894.

Sacred Spring, Paul Gauguin, 1894.

Really? you may be thinking. Your top recommendation for a dreamy teenaged girl is about an egocentric middle-aged stockbroker? Based on the life of a painter who was so reprehensible, even by the standards of 19th-century painters, that the New York Times ran an article last month headlined, “Is It Time Gaugin Got Cancelled?”

All I can tell you is this: I was that dreamy girl, and I loved The Moon and Sixpence.

Happy holiday reading, everyone!

squiggle

*I pictured Moore and Jordan as bitter enemies, but Moore turns out to have described Jordan as the best librarian-reviewer, which is especially gracious considering that Moore invented the profession.

**Moore mentions, apropos of nothing, that Smith also designed the color poster for Children’s Book Week in 1919, which, as I’ve mentioned, is the first time Children’s Book week was celebrated.

Children's Book Week Poster, 1919, Jessie Willcox Smith, children with bookshelf.

***Fuertes (who was only named after, not related to, famed but racist naturalist Louis Agassiz) was one of the most prolific bird illustrators of his time. Two bird species were named after him, including the Fuertes’s parrot, which is now critically endangered.

Illustration of Fuertes parrot from American Museum Journal, 1918.

American Museum Journal, 1918

****Hale’s brother Edward Everett Hale of “The Man Without A Country” fame clearly got all the literary talent in the family.

*****Note to Norwegian readers (okay, reader): Is this book still famous? And is P-speech an actual thing?

******Extraordinary Popular Delusions and the Madness of Crowds was written by Charles Mackay, the father of our old friend Marie Corelli.

*******Beard was the founder of the Sons of Daniel Boone, which merged into the Boy Scouts in 1910.

Ernest Thompson Seton, Robert Baden-Powell, and Dan Beard, date unknown.

Ernest Thompson Seton, Robert Baden-Powell, and Dan Beard, date unknown

********Much in the way I couldn’t stand the supposedly universally beloved but, to me, vapid heroine of Judy Blume’s Are You There, God? It’s Me, Margaret.

*********Meigs won for her 1933 book Invincible Louisa, a biography of Louisa May Alcott.

**********Could this have been related to problems in Montgomery’s own marriage to a depressed minister, who, she complained in her diary in 1924, would stare blankly into space for hours with a “horrible imbecile expression on his face”?

Celebrating Children’s Book Week—and a pioneering librarian

Happy Children’s Book Week! This year marks its 100th anniversary.

This week doesn’t mark its anniversary, though—the 1919 Children’s Book week was held in November, as were all subsequent ones until 2008, when new management took over and the celebrations were moved to May. So I can’t tell you (yet) about the new children’s books the New York Times recommended in connection with the 1919 celebration.

Anne Carroll Moore at New York Public Library, ca. 1906.

Anne Carroll Moore in her office at the New York Public Library, ca. 1906

I can tell you, though, about Anne Carroll Moore, who was one of the founders of Children’s Book Week, and of children’s libraries as we know them. If you have fond memories of going to the library as a child—and if you don’t, you’re probably not a reader of this blog—then you have Anne Carroll Moore to thank.

I first came across Moore as the innovative critic for the Bookman who, facing a pile of children’s books to review for a December 1918 Christmas roundup, invited an actual child, Edouard, to look them  over. Edouard didn’t pull any punches. “I think my teacher would like that book because it seems like a geography trying to be a story,” he said of Mary H. Wade’s Twin Travellers in South America. I checked it out, and he was right.

Twin Travellers in South America, Mary H. Wade.

Frontispiece, Twin Travellers in South America, by Mary H. Wade

Moore was born in 1871, the eighth child and only surviving daughter of a Maine lawyer and his wife.* She dreamed of following in her father’s footsteps, and is the only person I’ve ever heard of to have been home-schooled in law. Her legal ambitions came to an end, though, when both of her parents died of influenza when she was twenty. She spent a few years helping to raise her brother Henry’s children after his wife died in childbirth. At his suggestion, she decided to become a librarian, and she studied at the Pratt Institute in New York. After graduating, she was given the job of setting up a children’s room at the institute’s library.

Children’s rooms in libraries are such a fact of now life that I never thought about anyone inventing them. It turns out, though, that until the early 20th century children were discouraged from using libraries, most of which, until Andrew Carnegie came along, were private. Often, you had to be 14 to use a library. Sometimes, you had to be a boy. When children’s rooms existed, they were generally little more than holding pens to ensure peace and quiet in the rest of the library.

Children reading in library, ca. 1910, William Davis Hassler.

Children reading in the reading room of an unidentified branch of the Queens Borough Public Library, ca. 1910 (William Davis Hassler)

Moore changed all that. At Pratt, and later in the New York public library system, where she served as the head children’s librarian for 35 years, she reinvented the children’s room. She installed open stacks, child-sized furniture, plants, and seasonal exhibits and scheduled story hours, puppet shows, and readings for children by famous writers (including W.B. Yeats). Moore was particularly passionate about making African-American children and children of immigrants feel welcome in libraries. In an era of “Americanization,” she insisted on stocking books in the foreign languages that many of New York’s children spoke at home. Dissatisfied with the quality of children’s literature, she championed talented writers. She was the first regular columnist on children’s books, writing first in The Bookman and later in the New York Herald Tribune and Horn Book.

Stuart Little, first edition, 1945.

Cover of Stuart Little, first edition, 1945

With many 100-years-ago personalities I come across, I end up with more or less a monopoly on them. If you Google alleged German spy/femme fatale Despina Storch, for example, you get Wikipedia, then me.** (I do, at least.) Moore, though, has been in the news quite a bit in recent years. New Yorker writer/Harvard historian Jill Lepore wrote an article in 2008 about Moore’s persistent-bordering-on-stalkerish attempts to get E.B. White to finish Stuart Little, followed by her efforts to make sure the finished product, which she hated, never saw the light of day. (She failed, obviously, but managed to keep Stuart Little out of contention for the Newbery Award, which is bestowed by the American Library Association.)

Nicholas: A Manhattan Christmas Story, by Anne Carroll Moore

Cover of Nicholas: A Manhattan Christmas Story, by Anne Carroll Moore

Lepore and others have highlighted Moore’s eccentricities, which, to be fair, were considerable. She had a wooden puppet named Nicholas that she took everywhere and often held conversations with, including in professional meetings. (When Harper editor Virginia Kirkus stopped by Moore’s office to ask why she was ignoring Laura Ingalls Wilder’s Little House books, Moore kept turning to Nicholas and saying, “Nicholas, Miss Kirkus wants to know…”) Moore also wrote two children’s books about Nicholas. The first one, Nicholas: A Manhattan Christmas, was a runner-up for the 1925 Newbery Award, but this may have had more to do with Moore’s home-field advantage as a librarian than with its quality. It’s still under copyright so I couldn’t check it out myself, but here are excerpts from some Goodreads reviews (average rating: two stars):

“An oddly off-putting little book.”

“One of the worst books I’ve ever read.”

“Maybe it would be better reading at Christmas time, but I really don’t think so.”

“Very few people will live through the story unless it is an assignment.”

“Yaaaawn.”

Eventually, Nicholas was lost in a taxi, to the delight of Moore’s colleagues.

Slate book critic Laura Miller came to Moore’s defense in 2016, highlighting her efforts on behalf of underprivileged children and saying that she “changed the world of children’s books for the immeasurable better. She deserves to be remembered for that, and not just for her aversion to a certain nattily dressed mouse.”

Headline, From the Child's Holiday Books of 1918.

The controversies surrounding Moore’s later career were far in the future in 1919, though. So let’s leave Moore with her friend Edouard as they go through the pile of review copies for her December 1918 Bookman column.***

On Thornton Burgess:

“Is there a book here by Thornton Burgess?”

Without waiting for an answer he instinctively put his hand under a great pile of Boy Scout and war books and drew forth “Mother West Wind Where Stories” and clasped it to his heart.

“If I had a million dollars I would engage Thornton Burgess to write all the stories I could read.”

On Mother’s Nursery Tales, by Katharine Pyle:

Three Bears, Mother's Nursery Tales, Katharine Pyle, 1918

Illustration from Mother’s Nursery Tales, by Katharine Pyle, 1918

The picture of “Goldilocks and the Three Bears” is the only satisfying one I have seen. “She knows how to draw bears in a family”, was Edouard’s comment as he compared it with an illustration for the same story by another artist of which he said, “These bears are not a family, they are just colored to match the rest of the picture”.****

On Dream Boats by Dugald Stewart:

Dream Boats, Portraits and Histories of Fauns, Fairies, and Fishes, written and illustrated by Dugald Steward Walker.

Its delicate illustrations in color and in black and white made no appeal to him. Both in conception and in rendering this book seems to have been planned for an audience of somewhat sophisticated children.

On Jules Verne’s The Mysterious Island, illustrated by N.C. Wyeth:

Illustration of Captain Nemo by N.C. Wyeth

Edouard wishes to own it for the sake of having “such a good picture of Captain Nemo”. He likes it better than the ones he has seen in the movies.

For writing like that—and for the many happy hours I spent in the library as a child—I’m willing to forgive some tone-deaf literary choices and a talking puppet. Thank you, Anne Carroll Moore!

*In 1919, Moore was still known as Annie Carroll Moore. Annie was the name on her birth certificate, but she had it legally changed in her fifties because—what are the odds?—there was another woman named Annie Moore who was writing about children’s libraries at the time.

**Unfortunately, you only get my post on her death on Ellis Island at age 23 and not the earlier one about her (alleged) career as a German spy.

***Her column didn’t become a regular feature until September 1919.

****I’m pretty sure the “Three Bears” illustrations Edouard panned were Arthur Rackham’s from Flora Annie Steele’s 1918 book English Fairy Tales. It’s just like Edouard said: the bears go better with the room’s decor than with each other. (On the other hand, I like the idea of a family of bears with a Van Dyck-style painting on their wall.)

Arthur Rackham illustration, The Three Bears

The best and worst of December 1918: Book talk, strewn violets, a sad loss, and a magazine of the future

2018 is over!

I should have anticipated that this would happen eventually, leaving me with a blog title and tag line that make me look like I can’t do simple arithmetic. (UPDATE 9/8/2020: At the time I wrote this, this blog was called My Year in 1918 and the tag line was “A journey to the world of 100 years ago.”) When I started this project last January, though, the end of the year seemed so far off that it wasn’t worth thinking about. To the extent that I envisioned 2019 rolling around, I imagined myself luxuriating in all the reading I’d missed out on—diving into the new books that have been waiting on my bookshelf

Photograph of a pile of books

and reading frivolous lifestyle articles, which 1918 was woefully short of. Maybe taking a quiz to find out what Hogwarts house I belong in or what Jane Austen character I resemble.*

What actually happened: I got stuck, like someone in a science fiction story who invents a time machine that breaks down as the dinosaurs are descending. I couldn’t bring myself to read any of those new books, not even the biography of food safety pioneer Harvey Wiley, one of my favorite 1918 people. (That’s it at the top of the pile.) I did look at the New York Times headlines on my iPad on New Year’s Day, but they freaked me out. “What is all this news?” I asked myself. “And what does it have to do with me?” So I retreated to the January 1, 1919 news and My Antonia.

It looks like it will take a while. Maybe I’ll read The Waste Land and work my way gradually back to the present.

In the meantime, from my cozy perch in 1918, here are the December bests and worsts.

Best quiz contestants:  

The winners of the “Are You a Stagnuck?” quiz: fellow blogger Deborah Kalb of Books Q&A with Deborah Kalb** and Barbara Dinerman. For their prizes, Deborah has chosen a copy of The Melting of Molly and Barbara has chosen My Antonia. Congratulations to both of these loyal readers! You are not Stagnucks at all. The answers will be posted below the quiz soon. (UPDATE 1/11/2019: You can find them here.)

Best magazine:

Front page header for The Bookman magazine, December 1918

Up to now, four magazines have won the Best Magazine award: The Crisis (three times), The Little Review (twice), The Dial, and The American Journal of Insanity. But the magazine that I turned to most eagerly every month, the one that became my 1918 comfort read, never won the honor. In fact, I came close to naming it Worst Magazine one month, after an ownership change that seemed likely to send it down the tubes.

I’m happy to say that The Bookman’s wonderful December 1918 issue richly deserves the honor.

It began unpromisingly, with a profile of the editor of The Saturday Evening Post and a 15-page article called “The Amazing Story of the Government Printing Office.”*** But then things started looking up, with a Sara Teasdale poem and an interesting article by British war poet Robert Nichols called “To the Young Writers of America,” in which he discusses British taste in American books and vice versa, and notes that up-and-coming poets Robert Frost and T.S. Eliot**** were published in England before they were published in the United States. The highlight for me was when he said that

a certain American poet, come to live among us, antagonized the majority of those who were longing to hear what the real American poets were doing. I will not advertise his name. He does not need my help. He is an adept.

Well, I’ll advertise it: it must be Ezra Pound. I love feeling like a 1918 insider.

Then there was Margaret Ashmun’s Christmas round-up, including several gorgeously illustrated children’s books I mentioned in the 1918 Holiday Shopping Guide,

Harry Clarke illustration from Fairy Tales by Hans Christian Anderson, 1916. People in formal dress.

Fairy Tales by Hans Christian Andersen (1916)

and a fascinating set of articles on children’s literature around the world by writers from England, France, Holland, Spain, and Scandinavia. I was so riveted by the history of children’s books in the Netherlands that I looked up the writer, Hendrik Willem van Loon, who turns out to be the author of The Story of Mankind, which won the first-ever Newbery Award in 1921.

Illustration from Twin Travellers in South America by Mary H. Wade. Boy and girl outside house with parrot.

Frontispiece, Twin Travellers in South America, by Mary H. Wade

In an article about children’s holiday books, Annie Carroll Moore test-drives them on an actual child, nine-year-old Edouard–an ingenious gimmick in an era when gimmicks were sorely lacking.

“Twin Travellers in South America” looked promising but failed to hold his interest for more than a hasty glance at the pictures. “I think my teacher would like that book because it seems like a geography trying to be a story.”*****

And there’s a review of Booth Tarkington’s The Magnificent Ambersons by H.W. Boynton, who feels exactly as I do about it:

I take pleasure in the book, I suspect, because it covers vividly the range of my own generation and yields the atmosphere of and color of that “middle distance” which, as one emerges from it, is wont to be as blurred and insignificant to the backward eye. And I close the book with the queer feeling that everything about it is true except the central figure.

He reviews My Antonia too, but I’m saving that until I finish the book.

Okay, enough Bookman love–on to rest of the best (and worst).

Worst loss to criticism

Portrait photograph of Randolph Bourne.

Randolph Bourne, date unknown

One of the highlights of my 1918 reading has been Randolph Bourne’s criticism in The Dial. He was modern without (like Ezra Pound) descending into incoherence, hard-headed without (like H.L. Mencken) crossing the line to nastiness. At 32, he had a bright future ahead of him. Or he would have, if he hadn’t fallen victim, after suffering from chronic health problems and disabilities throughout his life, to the influenza epidemic. He died on December 22, 1918.  His last essay for The Dial, published on December 28, was a rapturous review of Lytton Strachey’s Eminent Victorians. It ends as follows:

The book runs over with good things. One closes it with a new sense of the delicious violence of sheer thought. If there were more Gideons like this, at the sound of such trumpets all the walls of the Victorian Jerichos would certainly fall.

I wish he had lived to leave us his thoughts on the explosion of literary talent that would emerge after the war.

On a more cheerful note…

Best nostalgia-inducing headline:

President Wilson arrives in France, and the crowds go wild. Like, strewn violets wild. Sigh.

New York Times headline, December 15, 1918, Two Million Cheer Wilson. Includes subhead Flowers Strew His Path.

New York Times, December 15, 1918

Best Christmas present:

Because what says “Christmas” better than not executing someone for exercising their First Amendment rights?

December 17, 1918 New York Times story President Saves Soldier. Wilson commutes death sentence for disobeying orders.

New York Times, December 17, 1918

Worst Christmas present:

Because what says “Red Cross” better than a basket of tobacco?

December 10, 1918 New York Times story about Red Cross workers giving baskets of ciagrettes to returning soldiers.

New York Times, December 10, 1918

Best judicial decision:

Most 1918 judicial decisions were pretty appalling, but I can get behind Johnson v. Johnson.

December 16, 1918 New York Times item about judge ruling that wife's refusal to cook meals does not justify assault.

New York Times, December 16, 1918

Worst praise for a leader during a political campaign:

Excerpt from December 15, 1918 New York Times story saying Lloyd George was called a real spark of radium at a meeting.

New York Times, December 15, 1918

Best sinister stratagem:

Cordiality! Those dastards!

December 15, 1918 New York Times headline reading in part Germans' Cordiality to Army Believed to be a Peace Strategem.

New York Times, December 15, 1918

Worst journalistic flat-footedness:

World War I, as you undoubtedly know, ended on November 11, 1918. Some monthly magazines were on it, like The Crisis

Editorial page of The Crisis, December 1918, with editorial titled Peace.

and Poetry.

First page of Poetry Magazine, December 1918, with poem titled Peace.

Others missed the boat. The Atlantic Monthly was full of war articles with titles like “Morale” and “Impressions of the Fifth Year.”  St. Nicholas published its monthly update on how the war was going, with one line at the top saying, oh, wait, we won.

Header in December 1918 St. Nicholas with sentence announcing the war is over.

St. Nicholas, December 1918

And if you look closely at these festive stamps in the Ladies’ Home Journal to paste onto your letter to your boy or girl in service

Page of stickers in December 1918 Ladies' Home Journal.

Ladies’ Home Journal, December 1918

you’ll find this

Sticker reading 1919 on the Kaiser's Chest with picture of happy sailors sitting on a chest.

and this.

Sticker reading It's war this Christmas, but wait till next year.

Best caption on an illustration:

Phillisy sidled up to her Aunt Marion, intent on a Red Cross sweater. “So,” she asked, “can people come alive when they’re dead?”

Illustration from December 1918 Sunset magazine. Woman knitting outdoros with girl standing next to her.

Sunset, December 1918

Best cartoons:

I love both of these Christmas-Eve-in-the-village scenes by Johnny Gruelle of Judge (the creator of Raggedy Ann and Andy) and Harrison Cady at rival humor magazine Life.

December 28, 1918 Johnny Gruelle Life cover titled Christmas Eve at Yapp's Crossing.

Judge, December 28, 1918

December 5, 1918 Harrison Cady Life illustration showing snowy village.

Life, December 5, 1918

Curious about who drew this charming Life cartoon, I blew it up to to 800% of its size and managed to read the signature: Rea Irvin, who later became a New Yorker cartoonist and created the magazine’s mascot, Eustace Tilley.

Rea Irvin cartoon in Life, December 5, 1918. Butler bringing lump of coal on tray into living room.

Life, December 5, 1918

Worst cartoon:

With the Huns out of the picture, the cartoonists need a new scary-looking villain. Sounds like a job for…the Bolsheviki!

Judge cartoon, December 7, 1918 showing monstrous man about to attack little boy with caption about Bolsheviki.

Judge, December 7, 1918

Best ad (magazine)

Murad generally owns this category******

1918 Murad cigarette ad showing Santa with giant box of Murads in his sack.

Life, December 19, 1918

but is edged out this month by rival Turkish cigarette Helmar.

1918 Helmar cigarette ad saying Helmar Turkish cigarettes with each letter colored with a country's flag.

Judge, December 28, 1918

Best ad (newspaper)

Newspaper ads are rarely interesting, but I did like this one. I’m unclear on the purpose of the electric vibrator that the woman on the right in the second row is using on her head.

1918 ad for New York Edison titled Give Something Electric with cartoons of people using electrical appliances.

New York Times, December 20, 1918

Worst ad:

In another month it might have been this,

1918 ad for Restgood mattress with headline Curled Hair: The Natural Mattress Filler.

Sunset, December 1918

or this,

1918 ad for Radioc with headline Radium and Hair Health.

New York Times, December 17, 1918

but this was the month of

1918 Nashua Woolnap ad showing child in bed aiming rifle at owl.

Ladies’ Home Journal, December 1918

so it was no contest.

Best magazine covers:

There was surprisingly little Yuletide festiveness on the December magazine covers, perhaps due to bet-hedging on the war.

Vogue upheld its usual high standard with two beautiful covers.

Helen Dryden Vogue cover, December 15, 1918. Woman reclining on bed with colorful cushions in front of open window.

Vogue, December 15, 1918

Vogue 1918 Christmas Gifts number cover. Woman on Juliet balcony waving garlands.

Vogue Christmas Gifts Number, 1918

Erté finally turned up again after several months of covers that are lost to history, or at least to the internet.*******

Erté December 1918 Harper's Bazar cover illustration, woman in pink coat in snow.

Harper’s Bazar cover illustration, December 1918, Erté

House & Garden featured this snowy scene.

House and Garden December 1918 cover illustration. Gray house with pink roof, footprints in snow.

Artist William Edouard Scott was back with another luminous painting on the cover of The Crisis.

The Crisis December 1918 cover. William Edouard Scott painting The Flight into Egypt. Black family next to river with lamp.

And I loved this Vanity Fair cover,

Vanity Fair December 1918 cover, colorful cartoon of crowd of happy soldiers.

which might have won, but then I remembered this Dada 3 cover, which was featured in the post on my sad 1918 love life. With the war over, it’s a new era, with a new, sometimes anarchic, aesthetic emerging. And nothing looks more like that future than

Cover of Dada 3, December 1918 with caption reading Je ne veux meme pas savoir s'il y a eu des hommes avant moi.

On to…1919!!!!!!

*Although I don’t need to; I know I’m a Ravenclaw and, like everyone else, Lizzie.

**You should check out her website, which features interviews with a huge number of authors (although none from 1918).

***Which, it turns out, is so amazing that the story continues in the January 1919 issue.

****What The Bookman had to say about Eliot under the previous ownership: “There is such a display of cynical cleverness in the verse of T.S. Eliot that I think he might be able to write almost anything except poetry.”

*****Edouard was right. A sample of the twins’ childish prattle: “‘Why, that must be a mataco,’ he said. ‘It’s a kind of armadillo. See, it has rolled itself into a ball for safety. Matacos always do that when they think danger is near. With its head hidden and its jointed shell curled around, it now feels quite safe.'”

******Fun fact: cartoonist Rea Irvin was a Murad illustrator.

*******I couldn’t find an undamaged copy of the actual cover–this is a reproduction of the illustration.

 

New review on the Book List:

December 31: Renascence and Other Poems by Edna St. Vincent Millay (1917).