Tag Archives: St. Nicholas magazine

Summer 1921 Magazine Covers, Viewed Longingly from Wintery Cape Town

Objectively speaking, winter in Cape Town is not all that bad. The temperature rarely dips below the high 40s, and a cold day is one when it doesn’t make it into the 60s. Subjectively speaking, though, winter in Cape Town is miserable. It rains a lot, and houses don’t have central heating, so we sit around freezing and grumbling.*

What I needed to improve my mood, I decided, was some summer fun from the covers of 1921 magazines. I could pretend I was somewhere hot, hanging around at the beach**

Jessie Willcox Smith
Sarah Stillwell-Weber
J.C. Leyendecker Saturday Evening Post cover, July 2, 1921, toddler with bucket.
J.C. Leyendecker

or the pool

Anne Harriet Fish

or fishing

Helen Dryden
Howard L. Hastings
Hugo Gellert

or playing golf

or camping

Howard L. Hastings

or basking in the moonlight

Erté

Erté

or canoodling

A.M. Hopfmuller

or cavorting about in the altogether,

Norman Rockwell
Warren Davis
A.M. Hopfmuller

or just hanging around,

Coles Phillips
Helen Dryden

maybe at the summer house.

Margaret Harper August 1921 House & Garden cover, country house aerial view.
Margaret Harper
Henry George Brandt June 1021 House & Garden cover, window of cottage with flowers.
Henry George Brandt

(Okay, these are not all ACTUAL wishes. I’m not much of a fisherman, for example.)

Lo and behold, I did actually make it to the northern hemisphere in time for the last few weeks of the summer. It turns out, though, that my image of Washington in August was a teeny bit romanticized. Life has been more like this

George Wolfe Plank

and this

Albert Barbelle

than this.

Colin Sealy

But I’ve had a great time hanging out with my friends,

and even though I haven’t spent much (okay, any) time working on my manuscript

George Wolfe Plank

I swear that’s going to happen before the fall sets in.

But fall is weeks away, so let’s not think about it right now. After all, in the words of the #1 hit song of late summer 1921, “In the meantime, in between time…”

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*Of course, I always keep in mind how fortunate I am compared to most people in Cape Town.

**If we were rerunning the Best Magazine Cover of a Woman Swimming with a Red Scarf on Her Head competition, we’d have some good contenders here.

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New On The Book List:

The Mysterious Affair at Styles, by Agatha Christie

Banner of 1915 and 1920 magazine covers

1915/1920 Magazine Cover Smackdown: And the Winners Are…

The people have spoken! And the people, it turns out, like athletic, adventurous women and hate scantily clad women.

Let’s back up a minute. In case you haven’t been following along, in my last blog post I asked the people to vote on whether 14 magazines (and two mismatched pairs) had better covers in 1915 or 1920. This was in the context of me being a 1920 crank going on about how things were better in the 1910s. But enough with the explanation…you can check it out yourself.

On to the winners:

1. Vogue

Helen Dryden, September 15, 1915

Helen Dryden, September 1, 1920

This is the first of several matchups where an artist faces off against him/herself. Dryden is a favorite of mine, previously featured in my posts on Ten 1919 Illustrators I’m Thankful For and Five Inspiring Women of 1919. The winner, which also got my vote, is Dryden’s colorful 1915 cover, which bested her uncharacteristically subdued 1920 cover with 58% of the vote.

2.  Harper’s Bazar

Erte Harper's Bazar cover, September 1915, three women

Erté, September 1915

Erté Harper's Bazar cover, September 1920

Erté, September 1920

Another self-matchup, Erté vs. Erté.* This was inevitable, because Erté, who was one of the Ten 1918 People I’m Thankful For, was Harper’s Bazar’s regular cover artist from 1915 to 1936. I’m thankful that I have a decade and a half of his illustrations to look forward to, but his October 1920 cover wasn’t one of my favorites. Readers agreed, with the 1915 cover winning 59% of the vote.

3. Ladies’ Home Journal

Ladies' Home Journal cover, September 1915, Lester Ralph, woman sitting on naval mine.

Lester Ralph, September 1915

Walter Biggs, September 1920

This boring vs. weird matchup featured Leslie Ralph’s woman sitting on what looks like a German naval mine vs. Walter Biggs’ popular parasol-carrying woman. I was of two minds here but ended up going for the 1920 cover because at least no one was about to blow up. Readers are made of sterner stuff than I am, though, and the 1915 cover won 71% of the vote.

4. Vanity Fair

Vanity Fair cover, September 1915, Rita Senger, woman with sleeping Pierrot.

Rita Senger, September 1915

Warren David Vanity Fair cover, September 1920, naked women dancing.

Warren Davis, September 1920

Rita Senger’s 1915 Vanity Fair cover is my favorite of the bunch, winning my enthusiastic vote against Warren Davis’ frolicking naked women. I admired the first Warren Davis cover I saw, way back toward the beginning of this blog, but I soured on him when I learned that drawing naked women was the only thing he ever did. Readers shared my taste, giving Senger a lopsided 91% victory.

5. The Crisis

The Crisis, September 1920, photo of bust by C. Matey.

Sculpture by C. Matey, September 1915

The Crisis, September 1915, The Colonel of the 8th Regiment.

Unknown artist, September 1920

I was disappointed that both of these covers featured photographs, as opposed to, say, a Frank Walts drawing or a William Edouard Scott painting. I voted, with mixed feelings, for the 1920 cover featuring a sculpture by the mysterious (or, at least, not easily Googleable) C. Matey, which led the polls with 57% of the vote.

6. St. Nicholas

St. Nicholas cover, September 1915, Charles Livingston Bull, children sailing.

Charles Livingston Bull, September 1920

St. Nicholas magazine cover, September 1915, Norman Price, motorcycle stunts.

Norman Price, September 1915

If I could jump into one of these covers, Mary Poppins-style, I’d definitely opt for sailing over watching dangerous motorcycle escapades (both of which apparently require a necktie). But as a cover I went for the eye-popping red and the action of the 1915 cover. I was in a minority here; 55% chose sailing.

7. Cosmopolitan

Cosmpolitan cover, September 1915

Harrison Fisher, September 1915

Cosmopolitan cover, September 1920, Harrison Fisher, woman drinking tea with dog.

Harrison Fisher, September 1920

A Harrison Fisher vs. Harrison Fisher faceoff, with similar young-woman-drinking-something themes. The one with the dog (title: “You Beauty!”) struck me as a bit unsanitary, so (putting aside my resentment over just happening upon it after spending an hour searching for images of women drinking through straws for my Are You H.L. Mencken and George Jean Nathan’s Ideal Woman? quiz) I went with the 1915 cover. 62% of readers agreed.

8. Good Housekeeping

Good Housekeeping cover, September 1920, Coles Phillips fadeaway girl.

Coles Phillips, September 1915

Good Housekeeping cover, Jesse Wilcox Smith, September 1920, little girls hugging in doorway.

Jessie Willcox Smith, September 1920

As I’ve repeatedly mentioned, I adore Coles Phillips, who was Good Housekeeping’s sole cover illustrator for a two-year stretch in the 1910s.** If I had known about him two years ago, My Sad Search for 1918 Love might have ended differently. I don’t adore Jessie Willcox Smith, who was at the vanguard of the cutesification of magazine art (although I do adore her illustration from At the Back of the North Wind featured in the 1919 children’s books holiday shopping guide and her Good Housekeeping New Year’s 1918 cover). 83% of voters agreed with me.***

9. The Masses/The Liberator

The Masses cover, September 1920, Cornelia Barnes, children dancing near organ grinder.

Cornelia Barnes, September 1915

The Liberator, September 1920, Hugo Gellert, boy on flying horse.

Hugo Gellert, September 1920

As I noted in my previous post, The Liberator arose in the ashes of The Masses, which closed after staff members were charged with conspiring to obstruct conscription. I’m a fan of Cornelia Barns, who drew a proto-New Yorker cartoon I loved, and an even bigger fan of Hugo Gellert and his wonderful covers for The Liberator (including its inaugural issue). This isn’t my favorite Gellert, though, and I ended up voting for Barnes. 57% of voters agreed.

10. The Smart Set

Smart Set cover, September 1915, John Held Jr., man in polo clothes with woman.

John Held Jr., September 1915

Smart Set cover, September 1920, Archie Gunn, man and woman on boat.

Archie Gunn, September 1920

The Smart Set is one of the few magazines where what’s inside is consistently better than what’s on the cover. I did like John Held Jr.’s cheery 1915 polo cover; less so the people in the boat who you just know are racist. A lopsided 86% of readers agreed.

11. Photoplay

Photoplay cover, September 1915, Mary Pickford.

Unknown illustrator, September 1915

Photoplay cover, September 1920, Rolf Armstrong, Constance Talmadge.

Rolf Armstrong, September 1920

Movie star vs. movie star. I could have gone for either one of these, and in choosing the 1920 cover I was perhaps slightly biased by my fondness for Rolf Armstrong, although this isn’t one of my favorites.**** I was in the minority here, with 55% of readers choosing the 1915 cover by an unknown illustrator. (I originally credited the 1915 illustration to Anita Stewart, who, an alert reader pointed out, is actually the subject. Kicking myself!)

12. La Vie Parisienne

La Vie Parisienne cover, September 25, 1915, woman shooting arrow.

Unknown artist, September 25, 1915

La Vie Parisienne, September 18, 1920, woman playing golf with caddy.

Unknown artist, September 18, 1920

I lucked out in having two La Vie Parisienne covers that are suitable for a family blog. I prefer the clear lines of the 1915 archer, and so did a whopping 90% of readers.

13. Life

Life cover, September 8, 1915

Emery, September 8, 1915

Life cover, Rea Irvin, September 23, 1920, woman on throne.

Rea Irvin, September 23, 1920

I’m a big fan of future New Yorker illustrator Rea Irvin, but not so much of his 1920 Life cover (although it bears closer scrutiny since the picture seems to be embroidered). I have no idea who Emery is, but his or her whimsical take on hat fashions is a lot of fun. 76% of readers agreed.

14. Saturday Evening Post

Saturday Evening Post cover, Charles Livingston Bull, September 18, 1915, owl in front of sun.

Charles Livingston Bull, September 18, 1915

Saturday Evening post cover, September 25, 1920, Alfred E. Orr, man painting name on mailbox.

Alfred E. Orr, September 25, 1920

I had second thoughts about some of my choices, none more than this one. I voted for Alfred E. Orr’s man painting a mailbox when clearly the correct choice is Charles Livingston Bull’s owl. A consequential choice, since there was a dead heat here.

15. Metropolitan

Metropolitan cover, September 1920, Edna Crompton, woman serving at tennis.

Edna Crompton, September 1920

Metropolitan cover, September 1915, young woman in straw hat.

Unknown artist, September 1915

Despite my 1910s leanings, I’m not blind to the ways that the 1920s are better, including more women being portrayed as being physically active as opposed to standing around with their clothes falling off. 90% of readers agreed.

16. The Best of the Rest

Red Cross cover, September 1920, Gerrit Beneker, worker in front of skyline.

Gerrit Beneker, September 1920

Golfers magazine, September 1920, man swinging golf club while woman watches.

Unknown artist, September 1915

For the last matchup, I paired up two covers that didn’t have a counterpart in the other year but that I couldn’t bear to leave out. My favorite, and that of 75% of readers, was Gerrit Beneker’s 1920 builder on the cover of Red Cross (the magazine’s second to last issue).

And the winning cover is…

Vanity Fair cover, September 1915, Rita Senger, woman with sleeping Pierrot.

Rita Senger, September 1915

I’m new at this polling business, and if I had it to do again (which I no doubt will, given how much fun it was this time) I would allow everyone to vote for their favorite cover of all. As it is, I’ll have to go with the cover that had the highest vote percentage. This isn’t really fair because it may just reflect the weakness of the competition, but so be it.

All caveats aside, I’m delighted to announce that the winner is Rita Senger’s wonderful Vanity Fair cover, which, as noted, is also my favorite. It edged out the 1915 La Vie Parisienne cover by a few tenths of a percentage point. Next time I write about illustrators I love, I’m going to write about Senger.

And the winning year is…

Saturday Evening Post January 9, 1915 cover, J.C. Leyendecker, New Year's baby brushing away military hats.

J.C Leyendecker

1915 was the overwhelming winner, beating out 1920 in twelve of the matchups, with three victories for 1920 and one tie. Interestingly, given that it was my grousing about the decline of magazine illustration that spurred the contest, I voted for 1920 six times, twice as often as the average reader.

So it’s been officially, objectively proven: the 1910s rule!

And the winning reader is…

Thomas Jefferson and the Return of the Magic Hat, by Deborah Kalb

…Allison Silberberg, who has received a free copy of Deborah Kalb’s wonderful middle-grade novel George Washington and the Return of the Magic Hat. Allison’s favorite cover is the Red Cross “The Builder” cover, which makes a lot of sense given the former Alexandria, Virginia, mayor’s commitment to building communities. You can find Allison on Facebook here and on Twitter here.

And the winning new (to me) blogging technology is…

Readership during the week the Magazine Cover Smackdown was published shattered previous records, even when taking into account some iffy botlike behavior on the day before publication. So clearly readers like polls! Judging from the low number of votes as a percentage of views, though, readers are not as fond of voting in polls as they are of reading them.

That’s fine! It’s just a blog poll! It’s not like the future of America is at stake!

Which is not something that can be said for the other election that’s going on right now. So, as we celebrate the hundredth anniversary of women’s suffrage,***** make sure to

League of Women Voters poster, 1920, women looking at Capitol.

League of Women Voters poster, 1920

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*Estimated amount of time that I have spent over the course of this blog putting the accent mark in Erté’s name (or, rather, pseudonym): two hours.

**For more Fadeaway Girls, check out my Pinterest board.

***Not that I’m judging you 17 percenters. In fairness to Smith, this is a beautifully illustrated cover—I love the green doors and the shadows.

****That’s Armstrong’s Metropolitan cover on the blog banner, unless you’re reading this in the future when I have updated the banner, in which case here’s the old one, featuring 1919 covers. It was a thing of beauty (future me says), and I miss it so much!

*****Of course, it would take decades more of struggle before African-American men and women’s right to vote was fully honored throughout the country.

Rodin, Young Woman Reading an Illustrated Journal, ca. 1880

You Be the Judge: The 1915/1920 Magazine Cover Smackdown

An occupational hazard of reading as if you were living a hundred years ago is that you start turning into a curmudgeon. “Things were so much better in the 1910s,” you (okay: I) grumble on a regular basis, apropos of 1920. Not everything, of course—the 1910s had the war and the Spanish influenza, for starters, and with starters like that there’s no point racking your brain for additional examples. But some things definitely got worse.

The font at The Smart Set, for example. What were H.L. Mencken and George Jean Nathan thinking?

Headline "Novels, Chiefly Bad," H.L. Mencken, Smart Set, August 1919

Smart Set, August 1919

Headline, "Books More or Less Amusing," H.L. Mencken, Smart Set, August 1920

Smart Set, August 1920

Dorothy Parker was fired from Vanity Fair in January 1920, so good-bye to her theater reviews

Excerpt from Dorothy Parker theater review, Vanity Fair, August 1919

“The First Shows of Summer,” Vanity Fair, August 1919

and hate poems.

From "Our Office: A Hate Poem," Dorothy Parker, Vanity Fair

“Our Office: A Hate Poem,” Vanity Fair, May 1919

And then there are the magazine covers. Every time I’ve thought about doing a magazine cover post in the last few months, I’ve found some dispiriting examples,

Modern Priscilla cover, woman wearing scarf

Good Housekeeping cover, April 1920, girl wearing bonnet

Maclean's magazine, March 15, 1920, womn carrying calla lilies

thought wistfully about the good old days,*

Crisis cover, April 1918, Willian Edouard Scott, black couple on wagon.

William Edouard Scott

Vogue Helen Dryden cover, February 15, 1918, woman looking in mirror.

Helen Dryden

Erté Harper's Bazar cover, May 1918

Erté

and given up.

I wondered sometimes whether I was being fair. Maybe, like so many people, I was longing for a golden age that only existed in my mind. But how to measure such a thing?

And then inspiration struck. The magazines could duke it out, mano a mano, 1920 vs. the 1910s. I chose 1915 as the opponent, a nice round number but not so far back that it’s super-old-timey like this 1910 Ladies’ Home Journal cover:

Ladies' Home Journal, September 15, 1910, woman in big hat.

As I assembled the covers, it dawned on me that maybe I still wasn’t being fair. What was to stop me from picking all the 1915 covers to prove a point? I pondered this for a while, and then the answer came to me: the people!

Normally, I’m very limited as to what I can do on this blog because I’m a wordpress.com member, meaning that WordPress hosts my blog as well as being the platform for designing it, as opposed to the far cooler wordpress.org members, whose blogs are hosted by other companies so they can get all sorts of plug-ins that don’t run on wordpress.com.** But one thing that wordpress.com lets you do now is run polls. And what’s more fun than a poll?***

So I leave it to you, the people, to decide, for each of the 16 magazines below, whether its September 1915 cover (top) or its September 1920 cover (bottom) is better. (In several cases, as it turns out, artists are competing against themselves.) The polls will stay open for a week, and the winners will be announced in early October. If the covers I’m rooting for don’t win, I promise to accept your verdict graciously. Because that’s what democracy is all about!

And, in case you find your energy flagging, there’s a prize at the end.

1. Vogue

Helen Dryden, September 15, 1915

Helen Dryden, September 1, 1920

 

2. Harper’s Bazar

Erte Harper's Bazar cover, September 1915, three women

Erté

Erté Harper's Bazar cover, September 1920

Erté

 

3. Ladies’ Home Journal

Lester Ralph

Walter Biggs

 

4. Vanity Fair

Vanity Fair cover, September 1915, Rita Senger, woman with sleeping Pierrot.

Rita Senger

Warren David Vanity Fair cover, September 1920, naked women dancing.

Warren Davis

 

5. The Crisis

The Crisis, September 1915, The Colonel of the 8th Regiment.

The Crisis, September 1920, photo of bust by C. Matey.

Sculpture by C. Matey

 

6. St. Nicholas

St. Nicholas cover, Norman Price, September 1915, motorcycle jump.

Norman Price

St. Nicholas cover, September 1915, Charles Livingston Bull, children sailing.

Charles Livingston Bull

 

7. Cosmopolitan

Cosmpolitan cover, September 1915, Harrison Fisher, young woman sipping milkshake in red hat.

Harrison Fisher

Cosmopolitan cover, September 1920, Harrison Fisher, woman having tea with dog.

Harrison Fisher

 

8. Good Housekeeping

Good Housekeeping cover, September 1920, Coles Phillips fadeaway girl.

Coles Phillips

Good Housekeeping cover, Jesse Wilcox Smith, September 1920, little girls hugging in doorway.

Jessie Willcox Smith

 

9. The Masses/The Liberator****

The Masses cover, September 1920, Cornelia Barnes, children dancing near organ grinder.

Cornelia Barnes

The Liberator, September 1920, Hugo Gellert, boy on flying horse.

Hugo Gellert

 

10. The Smart Set

Smart Set cover, September 1915, John Held Jr., man in polo clothes with woman.

John Held Jr.

Smart Set cover, September 1920, man talking to woman on boat.

Archie Gunn*****

 

11. Photoplay

Photoplay cover, September 1915, Mary Pickford, Anita Stewart cover design.

Photoplay cover, September 1920, Rolf Armstrong, Constance Talmadge.

Rolf Armstrong

 

12. La Vie Parisienne

La Vie Parisienne cover, September 25, 1915, woman shooting arrow.

La Vie Parisienne, September 18, 1920, woman playing golf with caddy.

 

13. Life

Life cover, September 8, 1915, Emery, women with long-feathered hats.

Emery

Life cover, September 23, 1920, Rea Irvin, woman on throne.

Rea Irvin

 

14. Saturday Evening Post

Saturday Evening Post cover, September 18, 1915, Charles Livingston Bull, owl in front of orange sun.

Charles Livingston Bull

Saturday Evening post cover, September 25, 1920, Alfred E. Orr, man painting name on mailbox.

Alfred E. Orr

 

15. Metropolitan

Metropolitan cover, September 1915, young woman in straw hat.

Metropolitan cover, September 1920, Edna Crompton, woman serving at tennis.

Edna Crompton

 

16. The Best of the Rest

There were two covers that didn’t have a counterpart in the other year but that were too good to leave out, so I’ll let them face off.

Golfers magazine, September 1920, man swinging golf club while woman watches.

Red Cross cover, September 1920, Gerrit Beneker, worker in front of skyline.

Gerrit Beneker

 

That’s it, the hard work of voting is over. Now for the prize!

Thomas Jefferson and the Return of the Magic Hat, by Deborah Kalb

My friend and fellow blogger Deborah Kalb’s book Thomas Jefferson and the Return of the Magic Hat is being published this week. It’s the third in a series of books about the adventures of a group of fifth-grade friends who travel back in time and meet America’s founding presidents. The first three readers who let me know which magazine cover was their favorite will receive a free copy. You can post a comment below or drop me a line through the Contact page.******

I’ve read the book and highly recommend it—it’s a lot of fun but at the same time it engages seriously with the issue of slavery. As the U.S. prepares to choose its next president, the timing couldn’t be better. So hurry up and vote!

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*I know, apples and oranges. But I’m describing a mental state, so bear with me.

**Like PUTTING PHOTOS SIDE BY SIDE, FOR EXAMPLE, WORDPRESS!

***Besides a quiz, I mean.

****The Masses, a socialist monthly, ceased publication in 1917 after editor Max Eastman and several staff members were charged with conspiring to obstruct conscription. Eastman and his sister Chrystal Eastman founded The Liberator in 1918.

*****Which I am very proud to tell you I deciphered from this:

Illegibile signature, Smart Set cover, September 1920.

******For readers living outside the United States, I’ll do my best to get a copy to you, but I can’t make any promises.

1920 magazine covers bring late winter cheer

When I picked up my mail after arriving in D.C. from Cape Town a couple of weeks ago, I found to my surprise that I have been a New Yorker subscriber since September. My first reaction: “Oh, look, a giant pile of guilt!” Then I saw the brightly colored covers, and I wanted to gather them all in a slippery embrace, like fellow survivors from a lost world. Few things from 100 years ago bring me as much joy as magazine covers, and few things (well, few non-news-related things) are as dispiriting as a 2020 magazine rack.

I had a post on February 1920 covers almost ready before I left Cape Town, but what with all the electricity cuts I didn’t manage to post it. So I’m covering both February and March here.

The February magazines feature lots of women engaging in wholesome outdoor activities like skiing,

Country Life magazine cover, February 1920, woman skiing.

Edwin Wilson

snowshoeing,

and pathetic ice skating.

Norman Rockwell cover, Saturday Evening Post, February 7, 1920

Norman Rockwell

And also engaging in unwholesome outdoor activities like this:

Warren Davis March 1920 Vanity Fair cover, naked woman walking into the ocean.

Warren Davis

The artist for this surprisingly risqué cover is Warren Davis. He also drew this February 1918 Vanity Fair cover,

which I took note of back in February 2018. That one was also daring, but it struck me as having that Greek mythology vibe that lets you get away with anything. It turns out, though, that young women cavorting around outdoors naked, or at most with a diaphanous scarf, comprise pretty much Warren Davis’ entire oeuvre.*

Some favorite artists are back: Frank Walts at The Crisis,

Frank Walts The Crisis cover, February 1920, drawing of African-American boy.

Frank Walts

Helen Dryden at Vogue,

Helen Dryden Vogue cover, February 15, 1920, woman looking in mirror.

Helen Dryden

A.M. Hopfmuller at Shadowland,

A.M. Hopfmuller February 1920 Shadowland cover, abstract landscape.

A.M. Hopfmuller

and, as always, Erté at Harper’s Bazar.

Erté February 1920 Harper's Bazar cover, woman in gown on beach.

Erté

There’s a Valentine’s theme at Red Cross

Red Cross magazine cover, February 1920, dog carrying Valentines.

(Google/HathiTrust)

and at Smart Set, which I’m pleased to see breaking out of its face-of-young-attractive-woman rut.

There are people in traditional dress at Sunset

Sunset magazine cover, February 1920, woman in traditional Spanish-Mexican dress.

and Liberator

Hugo Gellert

and World Outlook.

I loved these covers from House & Garden

Charles Livingston Bull House & Garden cover, February 1920.

Charles Livingston Bull

and Popular Mechanics

February 1920 Popular Mechanics cover, vehicles transporting houses and stores.

and Elite Styles.

February 1920 Elite Styles cover, woman in gown in room.

As I prepared for my trip, I was all psyched up to leave the southern hemisphere summer for some outdoor winter fun. Of course, what I actually ended up doing was lugging groceries home in the rain. So good riddance to February…

…and onward to blustery March!

St. Nicholas cover, March 1920, young man and women in wind.

(Google/HathiTrust)

Woman's World cover, February 1920, children struggling with kite.

They’re getting in some late-season ice skating at Red Cross**

Norman Rockwell Red Cross cover, couple skating.

Norman Rockwell

and some early-season boating at Motor Boating.

Motor Boating cover, March 1920, woman in pink coat steering wheel of boat.

Am I reading this wrong or is this elephant being used as an accessory to kill other elephants?*** And don’t get me started on the African man in the loincloth.

Popular Mechanics cover, March 1920, elephant hunt.

Everybody’s is late to the Valentine’s Day party.

Everybody's magazine cover, March 1920, soldier with cupid in helmet.

Vogue has a cover by regular George Wolfe Plank

George Wolfe Plank Vogue cover, March 1, 1920, flapper on bed.

George Wolfe Plank

and one by 26-year-old newcomer Harriet Meserole, who would go on to be a Vogue stalwart.****

Vogue cover, March 15, 1920.

Harriet Meserole

Bright spring colors abound at Harper’s Bazar

Erte Harper's Bazar cover, March 1920, Erte.

Erté

and The Delineator

Delineator cover, March 1920, woman in cape.

and The Green Book

Green Book cover, March 1920.

and House & Garden

Harry Richardson House & Garden cover, March 1920, house with path and flowers.

Harry Richardson

and Shadowland

A.M. Hopfmuller Shadowland cover, March 1920.

A.M. Hopfmuller

and Vanity Fair, which features a cover by Anne Harriet Fish, an artist whom I wasn’t familiar with but who will now join Gordon Conway and John Held Jr. in the ranks of VF artists whose work I can’t tell apart.

Anne Harriet Fish Vanity Fair cover, March 1920, couples dancing.

Anne Harriet Fish

Future New Yorker cartoonist Rea Irvin was the artist for this striking, though problematic to modern sensibilities, Life cover.

Rea Irvin Life magazine cover, March 1920.

Rea Irvin

This woman on the cover of the Saturday Evening Post seems to be about to ditzily cast her first vote for the supposedly more handsome candidate, which I would take offense at, except, um, Warren Harding.*****

Neysa McMein Saturday Evening Post cover, March 6, 1920.

Neysa McMein

The woodcut on the cover of Liberator is by J.J. Lankes, who was a friend of, and illustrator for, Robert Frost and Sherwood Anderson.

J.J. Lankes Liberator cover, March 1920, woodcut of horse and cart.

J.J. Lankes

This Photoplay cover isn’t particularly notable except that “If Christ Went to the Movies” is the best cover headline ever.******

Rolf Armstrong Photoplay cover, March 1920, Alice Joyce.

Rolf Armstrong

And it wouldn’t be March without a lion and a lamb, courtesy of Carton Moore-Park:*******

Carton Moore-Park Ladies' Home Journal cover, March 1920, lion and lamb with astrological signs.

Carton Moore-Park

Counting the days until spring!

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*Google him if you don’t want to take my word for it. Just don’t do it at the office.

**According to the go-to site for Norman Rockwell cover information, this was Rockwell’s fourth and last cover for Red Cross, which folded in late 1920. Rockwell turned to smaller magazines when large-circulation magazines passed on his illustrations.

***I always thought you couldn’t ride African, as opposed to Asian, elephants. Apparently you can, although, according to animal rights advocates, you shouldn’t.

****As far as I can tell, this is Meserole’s first Vogue cover other than this February 1919 one, which is mostly white space:

Harriet Meserole Vogue cover, March 15, 1920

*****Also, the cover artist, Neysa McMein, was a woman and an ardent supporter of gender equality. Here she is marching in a suffragist parade in 1917.

Neysa McMein marching in a suffragist parade, 1917.

New York Times, November 4, 1917

******Excerpt:

Excerpt from March 1920 Photoplay article "If Christ Went to the Movies."

*******Moore-Park also drew the “is it a lady or a parrot?” August 1919 LHJ cover.

Carton Moore-Park August 1919 Ladies' Home Journal cover, parrot looking at caterpiller.

Woman's face, from La Vie Parisienne cover, January 1920.

Magazine Covers Ring in the 1920s

I’ve been in summer school at the University of Cape Town for the last three weeks, studying, among other things, Portuguese.* Between that, obsessing over the recently released archive of T.S. Eliot’s letters to his longtime love Emily Hale, and a pair of maritime mishaps that have been wreaking havoc on South Africa’s internet, I haven’t been able to get much blogging done. But it doesn’t seem right to let the first month of a new decade pass unrecognized, so I figured I’d look into how magazine covers ushered in the 1920s.**

The Saturday Evening Post rang in the new year with this J.C. Leyendecker cover. (The camel is a symbol of Prohibition.)

J.C. Leyendecker January 1920 Saturday Evening Post cover, baby with camel toy.

Sotheby’s website features this painting by Leyendecker, which may have been his original concept for the cover.

J.C. Leyendecker painting of baby with whiskey bottle and camel toy.

sothebys.com

I can see why the Saturday Evening Post wouldn’t go for it, but this version makes more sense because without the bottle of whiskey what is the baby shushing us about?

That’s about it for New Year’s-themed covers.

Erté, as always, is at the helm at Harper’s Bazar, with this cover,

Erte cover, Harper's Bazar, January 1920, woman with flowing shawl.

which, unusually, has some text on the illustration: “Begin Arnold Bennett’s New Essays on Women in this Issue.” I skimmed the essay, which was in equal parts irritating, boring, and off-topic.***

Vogue starts out the decade with a Georges Lepape cover featuring a person of color, but not in a good way:

George Lepape Vogue cover, January 1920, woman holding fruit, black man with tray on head.

This Vanity Fair cover is too good not to repeat. I’m not sure who the artist is, but I’m guessing John Held Jr. or possibly Gordon Conway. (Update 2/4/2019: It’s John Held Jr. I found the signature on a scanned copy of the magazine on Hathitrust.)

Vanity Fair cover, January 1920, cartoon of people driving cars.

There’s a George Brandt interior on House & Garden,

George Brandt House & Garden January 1920 cover, sofa with portrain of woman.

and a picture of movie star Norma Talmadge by Rolf Armstrong on Photoplay.****

Illustration of Norma Talmadge by Rolf Armstrong, Photoplay, January 1920.

The Crisis features a photograph of a woman from St. Lucia,

The Crisis cover, January 1920, woman wearing turban.

and Liberator has, um, something Bolshiviki by Lydia Gibson.

Liberator cover, Lydia Gibson, January 1920, woman with spear.

Life’s “Profiteers’ Number” features a cover by John Madison.

Life cover, January 1920, John Madison, cartoon of man and cupid.

In sunny South Africa, I sighed over the snowy scenes on the covers of Literary Digest (by Norman Rockwell)

Norman Rockwell January 1920 Literary Digest cover, bearded man looking at thermometer in snow.

and Red Cross Magazine

Red Cross magazine cover, baby feeding birds in snow while mother watches.

and Country Life

Country Life cover, January 1920, car in snow.

and La Vie Parisienne.*****

La Vie Parisienne cover, January 1920, woman in fur behind snowy branch.

If I could pick one snow scene to transport myself into, Mary Poppins-style, it would be this one, from St. Nicholas.

St. Nicholas cover, January 2020, skating boy pushing girl on sled.

And, finally, two new****** publications that are well worth looking at: Shadowland, a beautifully designed movie magazine that features A.M. Hopfmuller as its regular cover artist,

Shadowland cover, January 1920, trees with swirls of green.

and The Brownies’ Book, the first-ever magazine for African-American children, edited by, who else, W.E.B. Du Bois.

The Brownies' Book first issue cover, girl dressed as angel.

Battey

I’ll be following both of these exciting ventures in the months to come.

In the meantime, happy January, everyone. Or, as we say in Portuguese, feliz janeiro!

Cartera magazine cover, January 2020, man sweating in front of giant sun with face.

*The other things: Dante’s Purgatorio, special relativity, Rembrandt, Plato and Euclid, Vermeer, Virginia and Leonard Woolf’s Hogarth Press, religious poetry, South African history and politics, and the Enlightenment. I tend to shop for summer school tickets like a hungry person at the supermarket.

**It turns out that when you put 1920 in Google it thinks you’re talking about the whole decade, so I keep having to sift through irrelevant pictures of flappers. It’s going to be an annoying year.

***But don’t worry, Virginia Woolf will, with her brilliant 1924 essay “Mr. Bennett and Mrs. Brown” (published by the aforementioned Hogarth Press), make Arnold Bennet regret that he’d ever SEEN a woman.

Cover of Mr. Bennett and Mrs. Brown, Virginia Woolf, 1924.

****Armstrong also turns out to have illustrated the August 1918 Metropolitan magazine cover that won the surprisingly competitive Best Magazine Cover of a Woman Swimming with a Red Scarf on Her Head award.

*****This woman is, by La Vie Parisienne standards, displaying an unusual ability to keep all her clothes on.

******Or, in the case of Shadowland, almost new—its first issue appeared in September 1919.

Nobel Prize Laureate Selma Lagerlöf: A Swedish storyteller whose own story couldn’t be told

Hello from Sweden, the land of ubiquitous candy

Candy in a store in Uppsala, Sweden.

and adorable groceries

Swedish groceries.

and clothes made of garbage

H&M label for pants made of recycled household waste.

and quaint swear words (“Devil!”)!

I’m spending September in Uppsala, half an hour outside Stockholm. The town is home to a 500-year-old university, so history is ever-present.

Sketch of Gustavianum at Uppsala University by Gustaf Johan Härstedt

Gustavianum, Uppsala University, Gustaf Johan Härstedt, ca. 1800

To get a sense of what was happening in Sweden a century ago, a relative blip in this ancient town, I turned to my trusty Reader’s Guide to Periodical Literature, 1915-1918. It pointed me in the direction of an article in the February 1918 issue of the women’s magazine The Delineator called “Women All Too Womanly – In Sweden.” The problem with Swedish women, it turns out, is that they’re not sparkling enough in society. They walk behind their husbands all self-effacing like this

Illustration of a Swedish woman entering a hotel behind her husband.

Rea Irvin, The Delineator, February 1918

instead of making a grand entrance like this

Illustration of a woman in an evening gown entering a room.

Rea Irvin, The Delineator, February 1918

and enchanting their dinner companions with bon mots.*

Not being convinced that skin exposure = emancipation, I decided to look elsewhere for insights into ca. 1919 Swedish women.** An article in the April 1915 issue of the children’s magazine St. Nicholas called “Selma Lagerlöf, Swedish Genius” seemed like just the ticket.

Portrait photograph of Selma Lagerlof, ca. 1915.

Selma Lagerlöf, St. Nicholas magazine, April 1915 (Brown Bros.)

Lagerlöf, I learned, was born in 1858 and grew up on an estate called Mårbacka in west central Sweden. A semi-invalid as a child, she sat at home listening to visitors’ stories while her siblings played outdoors. She heard about wolves chasing sea captains across the snow and the Devil*** paying social visits, rocking in a rocking chair while the lady of the house played the piano.

Portrait photograph of Selma Lagerlof, 1881.

Selma Lagerlöf, 1881

The family experienced financial setbacks that eventually forced them to sell Mårbacka, and  Lagerlöf set off for Stockholm to study teaching. While she was there, she started writing down those childhood tales. In 1891 she published her first novel, Gösta Berling’s Saga. It’s the fantastical story of a Lutheran minister who is sacked for drinking and carousing, takes up with a group of eccentric vagrants, and eventually comes to see the error of his ways.**** “And in less time that it takes to get around it,” St. Nicholas tells us, “the world hailed the writer as a genius.” Other novels, and other accolades, followed.

Like, for example, the Nobel Prize in Literature, which Lagerlöf won in 1909, beating out other contenders such as Leo Tolstoy and Mark Twain, both of whom died the next year. She was the first woman to be awarded the prize.

Illustration of Selma Lagerlöf receiving the Nobel Prize in Literature from King Gustav V.

Selma Lagerlöf receiving the Nobel Prize from King Gustav V (Svenska Dagbladet, December 11, 1909)

If you’re thinking something sounds off here, there are a few things you need to know about the early days of the literature Nobel, which was first awarded in 1901. One is that writers from the Nordic countries had a distinct home field advantage, winning seven of the first 18 awards.*****

Also, the award in its early days bore the stamp of the Swedish Academy’s conservative permanent secretary, poet Carl David af Wirsén, who thought Nobelists should display “a lofty and sound idealism.” This, in his mind, disqualified not only Tolstoy and Twain but writers closer to home such as playwrights Henrick Ibsen of Norway and August Strindberg of Sweden.******

Photograph of Carl David af Wirsén with signature, 1877.

J. Wolf (from Literärt album, 1877)

And also, for a while, Selma Lagerlöf, whose characters, redeemed in the end or not, weren’t wholesome enough for af Wirsén’s liking. Whenever her name came up as a possible Nobelist, he would put forward other candidates, sometimes equally “unwholesome” writers who at least weren’t Swedish. But his fellow Swedish Academy members finally had their way in 1909, leaving af Wirsén a broken man.******* He died in 1912.

With her Nobel Prize money ($40,000, St. Nicholas informs us), Lagerlöf bought back Mårbacka, where she lived for the rest of her life.

Selma Lagerlof at her desk in her library in Marbacka.

Selma Lagerlöf at Mårbacka (Dan Gunner, date unknown)

St. Nicholas tells us that

With all her fame and fortune, Selma Lagerlöf remains the pleasant, unpretentious, fun-loving, kind-hearted woman of her school-teacher days. She has never married, and, since she is now about fifty-six years old, she will probably remain a spinster. But her friends are thick as the leaves in her beloved forest in full summer.

A spinster! Fun-loving! Friends thick as leaves in the forest! What could this mean? Having been through this before, I had my suspicions. I Googled “Selma Lagerlöf lesbian,” and the true story of her life emerged.

Portrait photograph of Sophie Elkan, ca. 1893.

Sophie Elkan, ca. 1893

A few years after the publication of Gösta Berling’s Saga, Lagerlöf met fellow writer Sophie Elkan, who became her lifetime friend and companion. The daughter of German Jewish immigrants, Elkan had lost her husband and only daughter to tuberculosis in 1879, and she dressed in mourning for the rest of her life.

Lagerlöf, apparently, was smitten from the beginning. At their first meeting, she lifted up Elkan’s widow’s veil, unbidden, and said, “You are very beautiful. I know we will become friends.” In a letter to Elkan, she wrote,

These kisses of yours that you convey in your letters, they are a great puzzlement to me. How am I to understand such merchandise? Are they promissory notes, or ‘samples without value’? Are such debts to be repaid in rooms milling with people, or in the greenhouse at Nääs?…In Copenhagen I see so many relationships between women that I must try to comprehend in my own mind what Nature’s intention is with this.********

Posed photograph of Selma Lagerlof leaning against Sophie Elkan.

Selma Lagerlöf and Sophie Elkan, date unknown

Lagerlöf’s desire for physical intimacy seems to have been unrequited, though. In a letter written before a planned meeting, Elkan wrote, “Hands off!”

Still, the two remained devoted friends, traveling together to Italy and to Egypt and Palestine, the setting for Lagerlöf’s successful novel Jerusalem, which was published in parts in 1901 and 1902, with this dedication:

To Sophie Elkan, my comrade in life and literature

In 1902, Lagerlöf met Valborg Olander, an educator and suffragist, and the two began a passionate affair. Life became complicated. Elkan may not have wanted a physical relationship with Lagerlöf, but that doesn’t mean she wanted someone else filling this void.

Swedish educator and activist Valborg Olander.

Valborg Olander, date unknown

Jealousy and subterfuge ensued. Olander’s letters brimmed with passion, and Lagerlöf apparently destroyed many of them so that Elkan wouldn’t find them. Her own letters to Olander were equally ardent. “Every time you are here, I try to kiss you so I can be happy for a few days, but I long for you even before you are out of the gate,” she wrote in July 1902. In another letter, she expressed the wish that Olander would stay overnight—“that would be divine.”

Elkan grew desperate, writing, “Oh dear, you won’t take Valborg—is it Valborg?—instead of me, will you?”

Selma Lagerlöf and Valborg Olander in the 1930s.

Selma Lagerlöf and Valborg Olander, 1930s (Skodsborg Badesanatorium, Copenhagen)

Olander became deeply involved in Lagerlöf’s literary affairs as well, and Lagerlöf wrote to her saying that “you are becoming a real writer’s wife.” Eventually the trio reached an uneasy peace, which lasted until Elkan’s death of a cerebral hemorrhage in 1921.

Lagerlöf remained devoted to Elkan after her death. Toward the end of her life, she started writing down the stories that Elkan had told her about growing up as a Jewish girl in Sweden, thinking of tales of Vikings and kings as her own heritage until a schoolmate mimed a long nose and said, “Jew kid!” Lagerlöf never finished the project, but the stories she completed were published after her death, in 1940, at the age of 80.

I’ve found Lagerlöf’s books on sale at every bookstore I’ve visited in Sweden,

Books by Selma Lagerlof on a bookshelf.

Akademibokhandeln, Uppsala

but beyond her native country she’s a literary footnote, a hometown favorite who won the Nobel in the years before the award broadened its geographic and literary horizons. If she were alive today, she wouldn’t be a contender. On the other hand, if she were alive today, she would be able to live her life openly, and with pride.

Carlonia Rediviva, Uppsala, with pride flags

Carolina Rediviva, Uppsala

*The illustrations are by future New Yorker cartoonist Rea Irvin.

**In fairness, the writer of the article, American suffragist Frances Maule Björkman, does end up with a more nuanced view of Swedish women, who turn out to have not the slightest interest in sparkling in society but interesting things to say under other circumstances.

Photograph of Frances Maule Bjorkman with a suffragist banner.

R.C. Beadle, A.H. Brown, and Frances Björkman, 1913 (Bain News Service)

***Oops, sorry, I mean the Evil One.

****It was Greta Garbo’s performance in the 1924 film adaptation of this novel that brought her to the attention of Louis B. Mayer and launched her American career. You can watch some scenes from the film, with commentary, in this interesting five-minute clip.

Greta Garbo in Gösta Berlings saga

*****This was partly because, during most of World War I, the prize was awarded only to writers from non-combatant countries. To this day, only France, the United Kingdom, and the United States have more literature Nobelists than Sweden, which is tied with Germany at eight.

******The Nobel Prize website fesses up to the errors of its ways: “As to the early prizes, the censure of bad choices and blatant omissions is often justified.”

*******Or, as a vivid if probably not very accurate Google Translate translation from this essay in Upsala Nya Tydning puts it, “a lonely and isolated loser.”

********This translation is from a fascinating article called “Selma and her Lovers” in the June 2007 issue of Scanorama, the SAS inflight magazine (!). Other translations are mine, with the help of Google Translate.